The author recalls how he hated the cat as a child because he thought it had eaten his beloved hermit mouse. But the author's sincerity lies in the fact that he took the initiative to overturn the case for the cat he always hated, confessing that he had wrongly blamed the cat and that "the hidden mouse was not in fact victimized by the cat". Nonetheless, the author admits that "the bond with the cat had finally failed to merge."
The author's honesty and unobtrusiveness make him look real and lovely. In "The Morning Flower and the Evening Gleanings", the Lu Xun of the past and the Lu Xun of the present is a real, real, real, real, real, real, real, real, real, real, real, real, real, real, real, real, real, real and real, real and real.
When the author writes about the reasons for the current hatred of cats, he shows his consistent insight and grasp of the inferiority of the people. He said that the cat catches mice and finches, "always refuses to bite them to death, but wants to play with them as much as possible", and he saw that the cat has "a charming attitude",
and said that "if it were ten times bigger than it is now, then I really don't know what kind of attitude it takes", which is really a very good idea. What an attitude it would have taken", which is quite a statement.
On the other hand, when Lu Xun wrote about dogs, cats and rats, he cited Germanic fairy tales, the Japanese legend of the "cat lady", the "cat ghosts" recorded in the Northern History of China, the folklore of the "Eight Precepts", the "Rat", and the "Mouse".
The book is a collection of Japanese fairy tales, cat ghosts, and folklore stories such as "The Eight Commandments" and "The Mouse's Marriage", which show a wide range of knowledge.
Both vertically and horizontally, from the point of view of the article's interest and insight, Lu Xun's "Dog, Cat, and Mouse"
is an excellent example of how to write a book about a dog, a cat, and a mouse.