1.

Beijing 1998

When Yang Junjun, a wealthy businessman from Taiwan Province, crossed the Taiwan Province Strait and came to CCTV to discuss the cooperation of No Hate Song, Zhang Ziyi, who was still a sophomore in Chinese opera, was attracted by the great director Zhang Yimou and was invited to star in the new work My Mom and Dad.

At this time, Zhou Xun, a 24-year-old Zhejiang girl who is still drifting in the North, is singing in a bar, looking around for acting opportunities.

On the other hand, Ruby Lin, a 22-year-old girl from Taiwan Province, is filming Princess Pearl in the suburbs of Beijing. However, Aunt Qiong Yao, as the original author, seems to be not very interested in this play. She is busy with another play, Tears of Heaven. No one can imagine how much Princess Pearl will explode in the future.

At the same time, Liu Xiaoqing, who is nearly 50 years old, is starring in the new drama "Love Escape" with her ex-boyfriend Wai-Kwok Ng, and the tax problems of her company have been heard.

At that time, these actresses who were in the limelight may not have thought that they would accidentally become a member of the "Girls' Education" many years later.

2.

In 2002, Liu Xiaoqing was imprisoned for tax evasion, ending the glory of a generation of legendary actresses, and the entertainment circle officially entered the era of "post-70s actresses".

This year, Southern Metropolis Daily selected the most popular "four little Hua Dan" in the mainland at that time: Zhao Wei, Zhang Ziyi, Zhou Xun and Xu.

It was an era when traditional media flourished and new online media just emerged.

As one of the most popular portals at that time, Tianya Community was not the traffic Hua Dan at that time, but an older female star.

She is the heroine of the TV series Simon Without Hate, and Yang Junjun, who is called "Aunt Simon".

In that era when the Internet was not developed, Aunt Simon was a legend and quickly became popular: it is said that she was born in 1933, played a girl in her sixties, and found a group of handsome guys to play for her.

In particular, the screenshot of Vincent Chiao affectionately shouting "Silly girl, don't worry about me" to Aunt Simon has been widely circulated on the Internet for many years.

Although many years later, Yang Junjun himself came out to personally refute the rumor, saying that he was actually born in 196 1, and the lines of that stills were also uploaded by P, Dai Li, Zhang Guan.

But what is done is done. At this time, the name of female education has already started, and Yang Junjun was forced to become the patriarch of female education.

3.

Times have changed. With the changes in Hong Kong, Taiwan and the mainland market, after 20 10 years, many female stars from Hong Kong and Taiwan who "went north to make money" also became the earliest members of "girls' education".

Xiao Qiang, once known as "the first beauty in Taiwan Province Province", who is over 40 years old, plays a girl crazily.

In particular, her face, which is suspected to have not swollen once after plastic surgery, has appeared on the front pages of major entertainment for many times, and is called the "female version of Feng Gong", which makes people lament that beauty is dying. But unfortunately, Xiao Qiang did not become popular because of these young roles, and was gradually forgotten by the "girls' education".

But when the other two members of the "Pearl-returning Trio" became popular, Ruby Lin, who was about to die, finally couldn't sit still.

Since Ma Yu's honey trap became a hit, Ruby Lin simply set up his own studio to invest in drama. Through Mary Su's plays such as "The Queen of the World" and "Beautiful Jiangshan", Ruby Lin officially joined the female education and took over the mantle of Aunt Simon.

Just like Aunt Simon, Ruby Lin is surrounded by handsome men from all walks of life. All the men in the play are crazy about her, shouting "silly girl" affectionately at a relaxed face.

4.

20 14, Liu Xiaoqing, who once faded out of the entertainment circle after he was released from prison, returned. Lei Ju played the role of a 60-year-old "old cow eats young grass" in Legend of Heroes in Sui and Tang Dynasties 3, and staged various intimate dramas with Zheng Guolin in his twenties, further raising the upper limit of girls' teaching.

However, we have to admit that Liu Xiaoqing's fighting capacity is the strongest among girls. Compared with other actresses, she has been pulling her hips since she was 40 years old. When Ms. Liu was in her forties, she was still very capable in plays such as Wu Zetian.

But at the age of 60, no matter how thick the powder is, no matter how strong the filter is, obviously it can't cover up the traces of time.

Of course, there are many examples of act young, an older actress, but most of them, like Angel, are either not famous enough, or the drama and the characters themselves are not discussed, and the audience is lost because of negative news. Naturally, few people will add her to girls' education.

To put it simply, girls can't teach anyone casually. To some extent, although being selected as a female teacher is a kind of black and red, it also represents netizens' recognition of its peak and status in the circle, and the regret of seeing the beauty wither now.

5.

As we all know, the rise of a generation of mainland Hua Dan, such as "Four Teeth and Double Ice", is largely due to the hitchhiking of the mainland and Hong Kong.

At that time, in order to ensure the balance of the proportion of actors in the two places, and also for the sake of box office appeal, the older generation of Hong Kong male stars with box office appeal and young Hua Dan from the mainland were usually used. This is also the reason why these big flowers can rise rapidly and gain the queen, while the mainland male stars at the same time can only compete with Hong Kong and Taiwan male stars on the big screen because they can't afford the box office.

In recent years, middle-aged talents such as Ming Ye Chao Kun have turned over from the suppression of male stars in Hong Kong and Taiwan and become the backbone of the film industry.

On the other hand, these spendthrift people are caught in a career crisis in middle age, especially when there is no independent female film market in China, and they have to "descend to the world" to make dramas.

Compared with the "value without market" in the film circle, these big Hua Dan still have a very high degree of topic and appeal in the TV drama market.

But if you want to continue to play the heroine with a high salary, instead of giving the little flower a sedan chair, you can only pretend to be a girl.

And Zhou Xun, the Grand Slam winner of Red Sorghum and Ruyi Palace.

Later, Tang Wei, the goddess of literature and art, appeared in Ming Fenghua. These big flowers have moved to the TV drama market one after another, and grabbed jobs after 85 and 90.

Even if you don't talk about the face value of act young, TV dramas are more likely to expose the shortcomings of these big men's acting skills than movies with exquisite lenses. Even Carina Lau, who came all the way from the golden age of Hong Kong films, can't avoid customs. Compared with his sense of disobedience in pretending to be a girl over 50, Carina Lau's acting skills did not show a better level as a movie cafe, which was disappointing.

Of course, after all, Carina Lau, Zhou Xun and Tang Wei were all born in TV series, so it's not too bad to return to TV series.

But unlike The International Chapter, she has never made a TV series, and now she condescends to make a drama, which naturally makes the audience expect full value.

However, whether in appearance or acting performance, Zhang Ziyi obviously disappointed many audiences.

First of all, in terms of appearance, although Zhang Ziyi herself posted that she was disgusted with the "girlish feeling" of marketing, since she had to pretend to be a girl, it was inevitable to be compared by the audience, so the audience could not completely ignore the sense of age and substitute for the role.

Secondly, Zhang Ziyi's acting skills can't be said to be poor, but it doesn't seem to be commensurate with her status as a Grand Slam winner. Without Zhang Yimou and Wong Kar-wai, Zhang Ziyi obviously could not turn decay into magic.

More importantly, Zhang Ziyi's front foot just commented on other actors in I am an Actor, and his back foot exposed the shortcomings in the TV series, so the rollover is inevitable.

Older actresses refused to accept the old age and played young girls in succession, which also exposed the unfriendly market of middle-aged and elderly women and the lack of corresponding works. If you don't play a girl, you can only play a supporting role for your mother-in-law But after all, for Zhang Ziyi, an actress standing at the top of the pyramid, she can only put down her airs and still won't earn less, but other actresses who are not popular are worried.

This situation will not change for a while, even in today's environment with small fresh meat flow, not only middle-aged and elderly actresses, but also young actresses are more difficult to get ahead. More and more dramas don't even need a heroine, just find two small meats and they will explode. Zhao Wei once lamented that all women's cosmetics, skin care products, mascara and foundation are now endorsed by boys. I said, where are all the girls? "。

The prevalence of "female education" is actually squeezing the living space of young actresses, reflecting the plight of all actresses.

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