Introduction to La Traviata Margaret, a poor country girl, came to Paris to start a giggling career. She was chased by the nobles in Paris and became a "social butterfly", known as "La Traviata" (Lady Camellia), because she always had a bunch of Camellia in her make-up. Margaret got lung disease, and met a noble lady in a spa. Her figure and appearance were similar to Margaret's, and she died soon after the third stage of tuberculosis. Her father, Duke Morialon, accidentally found Margaret who looked like his daughter and adopted her as his adopted daughter. The duke promised to bear all the living expenses of Margaret as long as she could give up her giggling career. But Margaret couldn't help it, so the duke cut the subsidy by half. Margaret could not make ends meet and owed tens of thousands of francs. One night, during a social gathering, Armand Dewar, one of the two youths brought by neighbor Bruydance, fell madly in love with Margaret. During Margaret's illness, Armand came to inquire about her illness every day, but he didn't leave his name. Brutus told Margaret about Armand's infatuation with her, and she was very moved. One day, Margaret had a sudden illness while eating. Armand earnestly advised her not to kill herself like this and declared his love to her. He had a crush on her for three years. Margaret's indifferent heart was moved by the true feelings. She gave Armand a camellia to show her heart. Armand's sincere love inspired Margaret's longing for a simple life. She was determined to get rid of the decadent Paris communication peanut life and live in seclusion in the countryside with Armand.
She plans to raise a sum of money by herself to support Armand. However, when Armand went out, he happened to meet Margaret's former lover and suddenly became suspicious. He wrote a letter to Margaret angrily, saying that he didn't want to be the object of ridicule and that he would leave Paris. However, for Armand, Dumas profile, Margaret is his whole hope and life. He didn't leave Paris. He knelt down and asked his lover to forgive him. Margaret also expressed her true feelings to Armand: "You are the one I called in my troubled and lonely life." After twists and turns, the two rented a house in the suburbs of Paris. However, the Duke learned that Margaret's financial resources were cut off, and she pawned her jewelry, horses and chariots behind her lover's back in exchange for living expenses. When Amand knew it, he planned to sell a legacy left by his mother to pay off his lover's debt. Armand received a letter from his agent asking him to go to Paris to sign, and Armand left his lover. The letter was originally written by Armand's father, Mr. Dewar, the director of taxation. He tricked Armand into leaving, then found Margaret and told her that his daughter and Armand's sister were going to be engaged to the son of a decent family. However, when the other family heard about Armand's relationship with Margaret, the social butterfly said: If Armand doesn't break up with such a dusty woman, he will break off his marriage. Margaret implored Mr. Dewar painfully: it would kill her to sever the relationship with her lover Armand. But Mr. Dewar did not give in, so Margaret had to make a sacrifice and swear to Mr. Dewar that she would break up with Armand. Margaret wrote a dear John letter to her lover very sadly and returned to Paris to resume the absurd life of her former social butterfly.
She accepted the pursuit of Baron Valville, who paid off all her debts and redeemed her jewelry and carriage. After receiving the dear John letter, Amand returned to his hometown with his father in a painful mood. Armand is still deeply in love with Margaret, and he has come to Paris again. He wanted to revenge his lover's "betrayal". He found La Traviata, embarrassed her everywhere, called her a heartless and heartless whore, and traded love as a commodity. Margaret faced her lover's misunderstanding and sadly advised him to forget himself and never see him again. Armand wants her to escape from Paris together, to a place where no one knows them, and to hold on to their love. Margaret said she had sworn that she couldn't do that; Armand mistakenly thought that she and the baron had made a vow of eternal love, so he angrily pushed down Margaret, sent her a pile of money to humiliate her, and turned away. Margaret was deeply influenced by * * * and fainted to the ground. Margaret is exhausted and can't afford to get sick. Armand left France. Christmas is coming, Margaret's illness is getting worse, her face is pale, and she feels lonely without visitors. Mr. Dewar wrote to thank her for keeping her oath and sending 1 crowns. Margaret has written to tell Armand the truth. Now Margaret's only hope is to see her lover again. Before she died, the creditors of La Traviata came to the door one after another, urging them to pay their debts. The executor of the debt court was ordered to seal up all her property and auction off her debts only after her death. On her deathbed, Margaret kept shouting her lover's name, "silent tears streamed down her eyes", and she finally failed to see her lover again.
After Margaret's death, only one kind neighbor, Millie, buried her. When Amand returned to Paris, Millie gave him a diary of La Traviata. At this point, Amand knew her noble heart. The diary reads: "Besides your insult is evidence that you love me from beginning to end, I seem to think that the more you torture me, the more noble I will be in your eyes when you know the truth." With infinite regret and melancholy, Armand moved the grave to bury his lover Margaret, and filled her grave with white camellias. Behind the story, Dumas wanted to get into the literary world in his early years, but he couldn't write it, so he had long been interested in the famous prostitute Marie Duplessis and began to collect writing materials. During the period when Mary suffered from lung disease and hemoptysis, he began to brew the novel La Traviata, and Dumas constantly repented for it all his life. In 1842, Dumas met a beautiful woman, Marie Duplessis, at the Theatre des Varietes. She was tall, slim, with black hair and a red face. Her head is small and exquisite, and a pair of slender eyes, like Japanese women, are black and bright, and look around freely, which gives rise to infinite amorous feelings. " That is, the prototype of Margaret in La Traviata, Marie Duplessis was born in a Norman village in 1824, whose original name was Rose? Alfonsina? Rose Aphonsine Plessis, whose parents divorced, went to Paris to learn to be a tailor at the age of 15, and became a high-level brothel woman at the age of 16, renamed Mary Du Pulei, who loved fine clothes and jewelry and preferred camellia. Yile * * * made Mary infected with tuberculosis.
Armand Blatter, Mary's neighbor at No.15 Madeleine Road, went to see Mary for the first time by Armand Ribbon Dumas. Dumas fell in love with Mary at first sight. One day Dumas introduced herself in her room and found that she was having hemoptysis, constantly persuading Mary to take care of herself. Soon after, Halfon Xina became Dumas' lover. Dumas' father once asked him, "Do you associate with this girl because you love her or because you sympathize with her?" But he expressed anger at Mary's refusal to quit the high-class prostitute career. One day, Dumas discovered Mary's correspondence with a young man named Edward. Late at night on August 3, 1845, he wrote a dear John letter: "Let's forget together. You should forget a name that you shouldn't care about, and I will forget an impossible happiness." Since then, the two have never seen each other again. Soon Dumas traveled to Spain with Dumas. Later, Mary had a serious lung disease, and even when receiving guests, she often hemoptysis. On February 3, 1847, Mary died in Paris at the age of 23. Buried in Montmartre cemetery, section 15. Dumas was very sad. In June 1847, Dumas began to write behind closed doors and wrote this story as a novel La Traviata, which made him famous. When Dumas' play La Traviata was first performed in 1852, Dumas was living in exile in Brussels for a short time. Dumas telegraphed him: "The grand occasion on the first day was enough to make people mistake it for your work." Dumas called back and said, "My best work is you, son.".