As the end of the anthology, the postscript is mainly a supplement to the previous one, to be more exact, it is mainly a supplement to Twenty-four Filial Pieties and Wudian Society.

This postscript mentions a lot of information, with a lot of information, but the clues are clear. Lu Xun, the author, mainly supplemented "Guo Ju buried his son" and "Lao Lai entertained his relatives" mentioned in "Twenty-four Filial Pieties", once again criticized the essence of feudal filial piety and feudal culture killing human nature, and satirized the "imperial literati" in the society at that time for whitewashing the face of peace.

At the same time, it complements the image of impermanence and its interpretation in impermanence. From this, we can also see Lu Xun's serious and rigorous character as a writer. For example, the opening is to correct the name of "hemp beard" and laugh at "deserved it"; For example, the portrait of impermanence, I have tried my best to obtain evidence.

Evaluation:

Some essays in Morning Flowers and Evening Picks inherit the characteristics of traditional prose, and people write profound notes with plain and simple pen and ink. Moreover, when reviewing old feelings, they often make comments and express some dissatisfaction with the status quo.

The author often combines reminiscing about the past with attacking the disadvantages of the times, and his writing style is sharp, which embodies Lu Xun's consistent fighting style.