Over the years, he has won many awards in domestic, military and provincial calligraphy exhibitions; Especially1August, 1989, during his summer vacation in Beidaihe, he wrote a large number of calligraphy works for the party and state leaders and was widely praised. At the same time, his calligraphy works have been published in national, provincial and municipal newspapers and magazines. Teacher Lu Fengliang's calligraphy works have also been given as "national gifts" to governments, enterprises and international friends in Australia, Japan, Singapore, South Korea and North Korea.
Hold a simple attitude and be true, but people are not far away.
? —— Appreciation of the works of the famous calligrapher Lu Fengliang.
"I am simple and simple, and I am selfish and selfish." I can't help but feel heartbroken about the word "keeping the truth". This is a mirror, which makes people understand how valuable Do not forget your initiative mind is.
Today, it sounds like preaching. As far as art is concerned, the moral personality evaluation standard is not intended to get rid of the "literary" of skills at the beginning, but contains the ideal of "gentle" artistic life. Specifically, it is to care for "people" and "art" as an organic whole of life: the requirements of morality, knowledge and integrity are intrinsic. And this kind of artistic life thickness, which is harmonious inside and outside, is of course superior to that of literary decorators. We can get a glimpse of Mr. Lu Fengliang as a veteran. In fact, I think it is a manifestation of his personality charm.
At the beginning of the new year in 2020, a sudden plague raided the land of China, casting a deep shadow over the two festivals that should have celebrated peace. Under the correct leadership of the State Council, the Party Central Committee, a nationwide campaign to fight the epidemic was quickly launched. Teacher Lu Fengliang, a famous calligrapher, actively responded to the call and took the lead in giving full play to his specialty. Every day, he wrote a large number of calligraphy works that were full of passion and positive energy to fight the epidemic, inspire morale, and in his mind, the mountains and rivers were innocent and the long-lasting patriotic feelings were put into practice, that is, paper and ink became auspicious and world peace.
He knows very well that people are first social and epochal, and then cultural and temperamental. Teacher Lu Fengliang's calligraphy creation is a kind of "getting rid of the disadvantages" that has seen through the mystery of the times, and it is a soberness after experiencing a detour: "There is great beauty and eternal charm in tradition, which may be the reason why Chinese civilization and traditional culture and art are endless and timeless. This' great beauty' has been widely promoted by the sages of past dynasties, and has become our cultural gene. It is a powerful existence that can devour any subversive attempt.
Of course, tradition is a living organism, otherwise, it would have become a specimen or fossil. It is precisely because of the traditional' liveliness' that the tradition is rich and rich. Therefore, teacher Lu Fengliang's calligraphy complex lies in keeping a pure land, building a spiritual home, and making the trees in the' home' more lush, rather than blindly clinging to the shortcomings and stubbornly thinking. The significance of learning from tradition lies not in' sticking to it', but in' germinating, which lies in drawing the most' nutritious' value from the classics, which is most in line with the post-scholars' mind and can best achieve the classics of the new era'.
Learn books to cultivate yourself. The so-called Jinyun, Tang, France and Song means, "If the sage is Wang Youjun, there are totally different praises and criticisms of' Yue Long Tianmen Tiger Lying in the Phoenix Pavilion' and' Only a girl has no husband's spirit', let alone us!" I quote this passage because I want to say that although the book is a small skill, it is a real avenue, such as stone carving, which is different from wood, metal and other materials. The quality of stone is hard and inflexible, and it requires the author to "restore" the expression of the calligrapher's emotions and create a new artistic conception. This kind of "life realization" is what I really appreciate. Teacher Lu Fengliang's calligraphy art embodies his own feelings, thoughts and subjective spirit in the process of creation, so it is no longer a simple material "thing", but fully embodies his own personality on paper film, so he sees his true self and sublimates his artistic value.
Over the years, he has placed calligraphy in the torrent of history and culture, observing it from top to bottom, observing it from afar, and then putting it into writing after being internalized by his heart. The so-called culture leads the way, and calligraphy moves the whole body. Traditional culture participated in the growth of his lines, which shaped his emotion, personality composition and psychological stability of controlling pen and ink. In a word, Wen Xin refers to the word as it is.
Teacher Lu Fengliang joined the army in his early years and served in the Armed Police Force for more than 20 years. Later, he switched to work in the public security front and has retired for many years. However, he never gave up his pursuit of calligraphy art and his social responsibility as a "veteran". The sense of social responsibility is the primary symbol to measure the level of an artist.
Teacher Lu Fengliang is not only brave in literary and artistic creation, but also good at taking responsibility. This responsibility is guidance and cultural consciousness. Because he is not arrogant, hyped, vulgar and utilitarian. Gentleman's wind, do not fight for it. In art, he understands his own strengths and weaknesses, thus strengthening his main attack direction; At work, he knows what he should do and how to do it better. This ultimate trend of life experience and enlightenment is exactly the spiritual orientation of dedication to career and art called by contemporary book circles.
At the same time, what impressed me the most was the chic of the works, especially the strong "natural" atmosphere in the works. This kind of "nature" has a double meaning. First, the nature of the subject matter: Teacher Lu Fengliang puts the artistic tentacles into the mainstream of social life, and his works are mainly traditional, giving people a pure, simple and cordial sense of nature, which is in stark contrast to the complete personalization and spiritual care of many people in the art world today; The second is the naturalness of expression: the image of nature is not a superficial description, but a natural expression of self-emotional state. There can be multiple explanations here, but one is that it is inseparable from his environment and life:
For now, the epidemic is the enemy of * * *. In the face of a dangerous epidemic, the power of the people is the greatest power. This is a difficult moment and also an anxious moment. In order to better boost morale and stabilize the people's hearts, he also made a lot of pictures that he loved, setting off a peaceful and auspicious atmosphere. As a cadre in party member, Lu Fengliang has a unique insight into his book and made a life with a distant attitude.
Therefore, teacher Lu Fengliang's calligraphy has both a "subversive" process and a "constructive" process; It can also be said that the brush and ink technique is "small", the nostalgia for the traditional way of life and the remolding of the humanistic spirit of the times are "big", which is also a big proposition that calligraphy can carry and the role that context should play.