Su Dongpo was demoted to Hainan, and Zhuo Qishun, a monk from Dinghui Temple in Suzhou, traveled thousands of miles to visit him on foot. Su Dongpo was very moved, and the two formed a profound friendship. Su Dongpo specially wrote "Letter on Return" to meet him. Gift. When Zhou Chen and Kuang Zhong were officials in Suzhou, they were very fond of Dongpo's calligraphy and inscribed it on a stele in Dinghui Temple. After more than 400 years, Dongpo's original calligraphy was lost and the inscription was eroded by wind and rain. During the Daoguang period of the Qing Dynasty, Li Gonglanqing, a native of Fujian, came to Suzhou to serve as an official. He visited the inscriptions and relics, and donated his salary to build a stele pavilion and an ancestral hall to place Dongpo's memorial tablet and offer sacrifices. ". At that time, Huang Ju, a well-known painter in Suzhou, painted a piece of "Su Ting Tu". Literati and officials in Suzhou competed to write poems and chants, leaving many calligraphy treasures, and created the 14-meter-long "Su Ting Tu Poetry Scroll". In addition, the rare book "Su Ting Xiaozhi" collected in the library is divided into two volumes and was published in the Daoguang period of the Qing Dynasty. According to "Su Ting Xiao Zhi": First, Su Shi's "Returning Words" was not originally engraved in Dinghui Temple. Zhuo Qishun, a monk from Dinghui Temple in Suzhou who was a friend of Su Shi during the Song Dynasty, gave Su Shi his calligraphy "Return to the Return" as a gift. Since "Return to the Return" was written by Tao Yuanming, Zhuo Qishun brought Su Dongpo's calligraphy to the A monument is engraved next to Tao Yuanming's former residence in Pengze, Lushan. Later, when Zhou Chen became the governor of Suzhou, he ordered the monks to bring the original carving back from Pengze and re-carve it in Dinghui Temple. Secondly, the "Li Gonglanqing" who built "Su Pavilion" and compiled a book to commemorate it is Li Yanzhang. He is introduced in the preface of "Su Pavilion Xiaozhi". Li Yanzhang (1794-1836), whose courtesy name was Zewen, also known as Lanqing and Rongyuan, was a Houguan official in Fujian. He became a Jinshi in the 16th year of Jiaqing in the Qing Dynasty, and was appointed as the inspector of Suzhou in the 13th year of Daoguang. Li Yanzhang's respect for Su Shi was well-founded. He was Weng Tanxi's disciple. In the Qing Dynasty, Liu Yong, Liang Tongshu, Wang Wenzhi, and Weng Tanxi were equally famous in the calligraphy circles, and were also called "Weng, Liu, Liang, and Wang". Among them, Weng Qinxi was not only good at calligraphy, but also the most outstanding scholar and poet during the Qianlong and Jiaqing periods, and was a bachelor from official to cabinet. Weng Qinxi admired Su Shi's literary talent the most throughout his life, and as a disciple, Li Yanzhang naturally also admired Su Shi. Therefore, when he was an official in Suzhou, he visited the ruins of the "Return and Lai Ci" engraved in Dinghui Temple. Li Yanzhang immediately ordered it to be renovated and built a pavilion to enshrine the stele, which was named "Su Pavilion". Li Yanzhang was deeply afraid that the inscription would be lost in history due to the passage of time, so he searched extensively for documents and gathered many celebrities from Suzhou to sing poems and books. He edited the text into "Su Ting Xiao Zhi", but before it was published, he was transferred to Shandong Salt Transport Envoy. . This book was later published by Gu Yuan, a famous bibliophile in Suzhou.