NiNi x Liu Shishi.

It's not being torn by girlfriends, it's not being in love with each other, but being in love with each other and carrying them to the old age.

When the beauty is popular, there is a trace of affection, which can be regarded as keeping pace with the times and pleasing the audience.

Yi Shu wrote in the original book:

"That kind of rare friend. She is not jealous of my success. I am frustrated, and she doesn't despise me. It is enough to have a bosom friend in life. "

In the play, Jiang Nansun, played by Liu Shishi, has exactly the same relationship with Zhu Suosuo, played by NiNi.

In this world, who doesn't want someone who will always love you, tolerate you, and always stand by you when something goes wrong,

Even if the dust is covered with wounds and ups and downs, it will always be with your friends.

It's rare, but it's also hard to meet.

Therefore, the initial setting of this drama is higher than the common denominator of public life.

The first-class face value of the two female hosts, excellent figure and extraordinary clothes are like a runway show.

The picture looks like a retro memory filter with a beauty camera on.

Whether it's Nansun's small villa on Fuxing Road (the old French concession) in Shanghai, or the old alley where he lives in his uncle's house,

Like Wang Anyi's "Song of Eternal Sorrow", an old Shanghai flavor came to my face.

Such a retro mood, even if there is a tin box soap of Baique Ling at home, is not against it.

Nan Sun's family, with the attitude of a large family, is also quietly on the surface, no matter how big the contradiction and deep the pain are.

There is no dramatic conflict in the whole drama, and the emotional fluctuation is also resolved by the sweet words of girlfriends and diluted by the good MV.

The style of this play is also like a filter, soft, warm and beautiful.

It can't be said that this drama has collapsed, and it is at the general level of "less than the upper level and more than the lower level".

However, this drama has the biggest slot, which makes people more and more unconvinced-suspension.

Suspended, to put it bluntly, is false and untrue.

It is also a stubborn disease that domestic urban dramas will not change in these years.

If the drama series is the same as the original, it tells the story of the 90 s, or the romantic love story,

There is a distance from today's real life, and it can also keep the content and form unified.

However, the story in the play is set in today's society, and it is also about working hard outside and living a life of reality, just like most young people in China.

This is about to be said.

No one has the right to speak if the connection is not grounded.

The netizen summed up the general routine net text, welcome to take a seat.

"Ten presidents have nine stomach problems, eight smell of tobacco, seven can't accept people other than the hostess, six are cleanliness addicts, five suffer from insomnia, three are disabled, and all are well after meeting the hostess ..."

If you summarize the Marisu/Jack Su routine, please start with this idea:

There is nothing that Ta can't do, there is nothing that Ta can't do, and there is no one who can't be conquered by Ta.

Zhu Suosuo keeps saying that she wants to be a career woman. The only thing that reflects her career ability is the three suites she just sold, or because of the "tiger".

With a "tiger" energy, it successfully attracted the attention of Xie Hongzu (Dong Zijian), a rich second generation who was pampered and lost enthusiasm for life.

Xie Hongzu immediately introduced the rich friends who played together to buy two sets, and bought 1 set himself.

Zhu Suo locks up hundreds of thousands of commissions and gets them.

Since the house is so easy to sell and the money is so easy to earn, it's not banks and tax bureaus that break their heads every year, it's the door to real estate sales.

Mary Sue was set up, and there was always a Bole who saw her and felt that this person was extraordinary.

Manager Ke Yang, seeing Zhu Suosuo in Jing Yan's lobby, introduced her to the job.

Since then, I have always believed that Zhu Suosuo is a talent.

It makes the audience confused. Is it because I am ignorant of Mount Tai, and there is something in the play that reflects her workplace ability and emotional intelligence?

Thanks to the writer's golden finger, everyone she met was conquered by her.

The rich second generation chased her around the world, and the president's secretary spared no effort to help her. The president pitied her because she was born on the same day as her daughter.

The most outrageous thing is that when he got married, Fan Jingang said that "the whole jingyan (real estate group) is your patron".

I was so surprised that I thought Zhu Suosuo was the long-lost daughter of the president. Is there a group that wants her to inherit it or what?

If you think about it carefully, the popularity of Marisol and He Shuang plays are closely tied together.

The pressure of life is so great that no one in the audience now watches bitter dramas.

As a result, the "cool drama" of hitting back, swearing back, God blocking and killing God, and Buddha blocking and killing Buddha began to prevail.

Seeing that Zhu Suosuo was promoted from real estate sales to assistant to the president, and from unemployed to rich wife, he easily achieved the results of others' struggle for half a lifetime or even a lifetime.

On the other hand, Zhu Suosuo, in addition to appearance, has extraordinary talent or excellent emotional intelligence, or surpasses ordinary people's efforts.

Sorry, nothing.

In the first half of my life.

After the woman divorced, in less than a year, she squeezed into the circle where her smartest girlfriend struggled for half her life from the bottom of society.

As soon as the domestic drama involves the workplace, it becomes a thriller.

Is it so shocking that the class mobility is so strong?

If it is so easy to get rich and succeed, why are there so many poor people?

The poor are folded up, and the red wine glasses of the rich and the gold worshippers who are desperately climbing up are held high on the screen.

Not only "last romance" has such a problem, but now many domestic urban dramas imply an insidious manipulation-

The IQ, EQ and moral appearance of a character are distributed from top to bottom according to the amount of wealth.

Mao Jian, a film critic, once pointed out that domestic urban dramas are gradually identifying with richer and more powerful people, while the poor are being exploited and watched by violence on the screen.

"In the Beijing Love Story, I wrote an article criticizing that the poor have become unreasonable and obscene, and the rich can rob everything, including the poor's girlfriend, and then they can stand on the commanding heights of morality.

It has been about 30 years since the late 1980s, and domestic dramas, especially youth dramas, have generated a large number of identities with the rich, allowing a large number of rich people to occupy face value and moral face.

If we can calculate an average face value in a large number of youth dramas, the average face value of the rich is obviously higher than that of the bottom, and in TV dramas, face value is justice. "

20 15 hit drama Ode to Joy.

Fan Shengmei, money worship, vanity, Voldemort; Little earthworm, lazy and greedy, loves the brain.

Qu Xiaoyu and Andy, two rich friends, often solve their troubles and condescend to comment on their character.

In this play, poverty is not only reflected in the lack of economy, but also unworthy of moral and emotional integrity.

In a word, poverty is the original sin.

People's character and appearance are divided into three or six grades because of wealth, which implies the worship of power and wealth.

Literary and artistic works that should be critical of reality are even less enterprising than reality.

This is not hatred of the rich, but a question of "absolute".

If the TV series agrees with all the poor people, it is also untrue.

Not all rich people are rich and heartless, and not all poor people are cynical.

Similarly, not all rich people are elegant and lovely, and not all poor people are kind and honest.

The real world is always a relative world.

If all the poor people in TV series lose their wisdom, it must be false.

In last romance, there are almost four characters from poor backgrounds, most of whom are not pleasing.

Zhang Anren, Phoenix Man;

Yuan Yuan, a scheming woman;

Master Ma, liar;

Zhu Suosuo, advocating material things (some people collapsed in the later period).

Especially for young people from villages and towns like Zhang Anren and Yuan Yuan who come to work in Shanghai, there is no lack of bitter ridicule.

They all look eager for quick success and instant benefit, do whatever it takes to achieve their goals, and deliberately cover up their origins.

They all have to try their best to climb the high position that others naturally enjoy, accept others' dismissive overlooking and make persistent efforts, and have no face, no skin and no shame.

This sense of superiority over poverty is unnecessary and appears petty and hypocritical.

TV plays not only reflect the real society, but also have a value-oriented role.

Tell people what to do, what not to do, what is noble and what is justice.

And then give people influence and warning.

Nowadays, many urban dramas want to create cool drama routines, but the result is counterproductive and uncomfortable.

I don't know how the rich live, but I am full of imagination and obscenity about the rich, and I won't show the life of the poor and make it up with disdain.

Behind closed doors, smuggling goods.

Everyone criticized Tiny Times, and everyone was watching TV dramas with the same values as Tiny Times.

"So in the past 20 years, our idol drama has not made any progress in aesthetics and has no' destructive power'.

If you don't make a review of the present, you will always "fight for the small three", or you will "climb up" and take a maintenance attitude towards social problems, just like maintaining the rich. "Maojian tea said.

There are reasons for the creative environment, but also the laziness and reluctance of the creators themselves.

Based on this.

It's not that "last romance" sucks, but it's made with care.

It is the suspension of domestic dramas in recent years, the strong recognition of the rich, and the worship of power and wealth, which are still revealed in this drama.

To some extent, the audience is not passive.

Bad movies can no longer mobilize the audience's enthusiasm for watching movies, and bad dramas have also been criticized to pieces.

Only by maintaining a rational examination and calm criticism of the problem can we make progress.

Let everyone know the problem, the audience knows the routine, and they will make progress if they are tired.