Epang Palace Fu
Author: Du Mu
Six kings finish, four seas are one, Shushan is upright, and Afang is out. Overpressure more than three hundred miles, isolated from the sun. Mount Li is constructed in the north and folded in the west, and goes straight to Xianyang. Erchuan dissolves and flows into the palace wall. Five steps to the first floor, ten steps to a pavilion; The corridor waist is back, and the eaves are high; Hold the terrain, intrigue. There are thousands of waves of water in the hive. Long bridge lies on the waves, what is the dragon without clouds? After the road is empty, don't you blame He Hong? High and low, I don't know the west and the east. The singing platform is warm and the spring is harmonious; The dance hall is cold-sleeved, and the wind and rain are sad. In one day, between palaces, and the climate is uneven.
Concubine, the prince and grandson, resigned from the downstairs hall and came to Qin. Singing songs at night, for the people of Qin Gong. The stars are shining, and the makeup mirror is also open; Lv Yun disturbing, comb Xiao Huan also; The nutrient-laden flow is greasy, and the fat water is abandoned; The smoke is oblique and foggy, and the pepper orchid is also burned. The thunder was shocked, and the palace car passed; I don't know what I'm doing when I'm listening from afar. One muscle, one capacity, is extremely beautiful, standing far-sighted, and looking lucky; There are 36 years to hide. The collection of Yanzhao, the management of Han and Wei, and the elite of Qi and Chu have plundered their people for several generations, leaning on mountains; Once you can't have it, you will lose it. In the meantime, you will lose your jade, gold nuggets and pebbles, and abandon it. The Qin people regard it and don't cherish it.
Hehe! The heart of one person, the heart of thousands of people. Qin loves luxury, and people miss their homes. How can we use it like sand? Make the pillars of the negative building more than the farmers in Nanmu; There are more rafters on the beam than workers and women on the plane; The joints of the tiles are uneven, more than the silk of the whole body; There are more vertical columns and horizontal sills than nine battlements; Onion phosphorus, more than millet in Yu; Orchestral string vomiting dumb, more than the words of the city people. Make people all over the world dare not speak and dare to be angry. A single husband's heart is becoming more and more arrogant. Garrison soldiers call, letter valley lift, Chu people burn, poor scorched earth!
Whoo! Those who destroy the six countries are also six countries, not Qin. Qin is also the family of Qin, not the world. Hey, husband! Making the six countries love each other is enough to refuse Qin; Those who make Qin love the six countries again will be handed over to the three generations to be the king forever, and who will win and the family will be destroyed? Qin people are overwhelmed with self-mourning, and later people mourn it; Later generations mourn and fail to learn from it, which also makes future generations mourn for future generations.
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From the content structure, this fu can be divided into four sections.
The first paragraph is about the grandeur of Epang Palace.
The opening is started with four three-character short sentences, with compact syllables and extraordinary momentum, achieving the effect of voice. This word 12 not only describes the heroic spirit of Qin Shihuang's domination of the whole country, but also describes the extraordinary construction of Epang Palace, which is so concise that it can't be deleted. Next, from panorama to ontology construction, write the grandeur of Epang Palace. ? Overpressure more than 300 miles, isolated from the sun? It outlines the grand momentum of Epang Palace, which covers a vast area and is covered by lingyun, giving a general impression. ? Mount Li is constructed in the north and folded in the west? Four sentences, it is written that Epang Palace was built according to the mountain and the water, which still highlights its style of using nature and excelling in nature. The following is written by Wei Shui and Fan Chuan? Into the palace wall? , naturally transition to write the architectural features of Epang Palace. Among them, pavilions and verandahs are actually written, which are described in detail; Virtual wrote the long bridge, the complex road, and imagined it magical and magnificent. Then use exaggeration and foil to describe Epang Palace by writing about the warmth and coldness of singing and dancing? In one day, between palaces, and the climate is uneven? The strange phenomenon, foil its grandeur and breadth.
In the second paragraph, I write about the beauties and treasures in Epang Palace, exposing the luxurious life of the rulers of the Qin Dynasty, and laying an ambush for the following discussion.
Write first? Concubine? What is the origin of? Six kings finish, four seas are one? As a result, take care of the first article. The author used it in a row? The star is shining, and the makeup mirror is also open? Wait for six groups of parallel sentences to write about the imperial secretary's grooming. How lucky are you to be farsighted? The miserable life. The mirror is like a star, and the mirror is like Lv Yun. Abandon fat? Rising Wei water, burning pepper into smoke. These vivid descriptions not only show the tragic fate of ladies-in-waiting, but also reveal the arrogance and extravagance of Qin Shihuang's life. ? Collection of Yanzhao? In the following, the humiliation of the writer turned to the trampling of the writing. Here, the jade jinding, which was originally treasured by the six countries, is dumped like clods and iron pots. Qin people regard it, but they don't cherish it, do they? .
The third paragraph, from description to discussion, shows the original intention of writing this essay.
First? Huh? Give a sigh, compare people's feelings and point out? Qin loves luxury, and people miss their homes? And then asked:? Why do you take all the money and use it as sediment? Then, six groups were used? Make more than? The comparison of figurative sentences reveals the profound disaster brought to the people by the extravagance of the Qin Dynasty. After a lot of preparation, the pen turned and let? Dare not speak and dare to be angry? Yes? People in the world? Same? Increasingly arrogant? As a result, Epang Palace became a scorched earth.
The fourth paragraph summarizes the historical lessons of the demise of the Six Kingdoms and the Qin Dynasty, and issues a warning to the contemporary rulers.
The author laments continuously, and his feelings can't be forbidden. ? Whoosh? Then put forward arguments to clarify the truth of self-taking; ? Husband? The following arguments point out that loving the people is closely related to long-term stability. Finally, use? Descendants? The euphemistic appellation reminds the rulers of the Tang Dynasty not to repeat the mistakes of the Qin Dynasty, which is meaningful.
From the artistic point of view, this fu uses the following techniques.
First, imagination, metaphor and exaggeration
Epang Palace was destroyed by war, and its shape has long been unknown. Qin Shihuang biographies "records (see? Relevant information? Huo Songlin's "Appreciation of Epang Palace Fu" is also not very detailed. This is for writing? Epang Palace? It caused difficulties, but it left room for the author to gallop his imagination. It can be said that Du Mu artistically recreated Epang Palace in this essay. Whether it is the meticulous carving of the eaves of pavilions or the splashing of ink on the long bridge, it is all from imagination. These strange imaginations not only do not give people a sense of artificiality, but can lead people to follow the path he opened up and vividly present the grand occasion of this palace in their minds. The achievement of this effect is directly related to the vivid metaphor and bold exaggeration used in this paper. Such as? Make the pillar of the negative building more than the farmer of Nanmu? A passage out of imagination is both a metaphor and an exaggeration, which has a strong artistic appeal.
Second, description, arrangement and discussion
From the overall structure, the first two paragraphs of this fu are mainly about description, while the last two paragraphs are mainly about discussion. The previous description is a foreshadowing for the later discussion. However, regardless of description or discussion, a large number of arrangements are used, and the narrative romance is extremely exciting and refreshing. Examples of arrangement in description, such as? The star is shining, and the makeup mirror is also open? A paragraph; Examples of arrangement in a discussion, such as the positive and negative statements in the last paragraph. This is of course the traditional writing method of Fu, but it is commendable that Du Mu did not pile up the same words like compiling a kind of book, but wrote it without complexity and just right.
Third, parallel sentences are scattered and scattered.
This fu gives play to some advantages of parallel prose, such as arrangement, antithesis, rhyme, etc., but it also uses a large number of single sentences to spread lines and enhance expressiveness. If it is in use? Five steps to the first floor, ten steps to a pavilion; The corridor waist is back, and the eaves are high; Each holding the terrain, intrigue? After six four words, followed by? What's the matter, what's the matter, what's the honeycomb vortex, and I don't know if it's tens of millions? A long sentence with scattered lines. In this way, the sentences are integrated, the length is not limited, the rhythm is distinct, and it is more expressive.