In a large, very large mulberry field, young girls take Santos leisurely, and they sing together to go home. In the adjacent large mulberry fields, the beautiful girls picked Santos leisurely, and they chatted and chatted together.

Appreciation:

Wei is located in the north, "its land is mean and its people are poor and frugal" (Zhu Xi's words). However, the Chinese ancestors were industrious and optimistic. Wei Feng's Ten Mu (Between Ten Mu) sketched out a fresh and tranquil pastoral scenery and described the relaxed and happy working mood of mulberry pickers.

The sun is setting, the twilight is about to rise, the cattle and sheep are returning to the fence, and the smoke is gradually rising. The setting sun is slanting, shining through the green mulberry leaves into a wide mulberry garden. The mulberry picker who has been busy all day is ready to go home. Suddenly, there was a voice of calling partners and friends in the mulberry garden. People gradually walked away, but their laughter and singing seemed to be still swirling in the mulberry field. This is a picture of mulberry fields returning home late in Between Ten Mu.

Expressing a happy mood with a relaxed melody is the most distinctive aesthetic feature of Wei Feng Between Ten Mu. First of all, this is related to the proper use of modal particles. The whole poem is six sentences, and the chapter is repeated. After each sentence, the modal particle "Xi" is used, which naturally prolongs the intonation and shows a soothing and relaxed mood.

Secondly, more importantly, it is related to the content of poetic expression. The poem shows the scene when the girls call their partners and friends to go home together after work. Therefore, the word "Xi" contains a relaxed and soothing breath after intense labor; It also contains a sigh of satisfaction and pleasure in the face of the fruits of a day's labor.

Poetry and poetry, intonation and mood have reached a perfect unity. The so-called moving the cat, no need to carve. Another article in The Book of Songs, Nan Zhou's Cricket, also focuses on labor scenes and feelings. However, due to the different labor scenes it depicts, the melody rhythm and aesthetic sentiment of poetry are also different.

Nan Zhou's Ephedra is about the labor process of a group of women picking plantain seeds. It shows the girls' skillful picking skills and cheerful working mood through the constant changes of picking actions and the rapid increase of harvest results. Structurally, four words and one sentence, with a word "zhi" in every other sentence, are short and powerful, thus making the rhythm of the whole poem lively and compact.

Wei Feng's Ten Mu and Nan Zhou's Gooseberry are in sharp contrast and become the two most comparable labor ballads in the Book of Songs in artistic style.

The predecessors commented on Wei Feng's Between Ten Mu, which is as elegant as pottery (Chen Jigao's Reading the Wind and Supplementing it). Tao Yuanming's "Returning to the Garden" (the third) did write: "In the morning, I will promote the waste and filth, and bring the moon lotus to hoe home. The road is narrow and the vegetation is long, and the evening dew touches my clothes. " But the former is full of girls' relaxed joy, while the latter contains Tao Gong's leisure and detachment. The former is lively, while the latter is gloomy, seemingly and strangely.