Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.
Description: Bamboo clings to the green hills, and its roots are firmly rooted in the cracks in the rocks.
Origin: Zheng Xie's Bamboo Stone in Qing Dynasty Original: Insist that the green hills are not relaxed, and the roots are in the broken rocks.
After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.
Bamboo clings to the green hills, and its roots are firmly rooted in the cracks in the rocks.
After countless hardships and blows, you are still strong, whether you blow southeast wind in the hot summer or northwest wind in the cold winter.
Note: Bamboo stone: Bamboo rooted in crevices. This poet is a famous painter, and his paintings of bamboo are particularly famous. This is a poem he wrote on a bamboo stone painting.
Persistence: Metaphorically, the roots are firmly rooted, just like insisting on the castle peak and not letting go.
Rooting: Rooting, rooting.
Original: original.
Broken rock: a cracked rock, that is, a crack in the rock.
Tempering: torture, frustration, tempering.
Strike: strike.
Resilience: strong and powerful.
Ren: whatever, whatever, whatever.
Joel: You.
Appreciate:
This poem is a poem about bamboo. The poet praised not the softness of bamboo, but its fortitude. The first two sentences praise the inner spirit of bamboo rooted in broken rocks. The word "bite" at the beginning has great impact and image sense, which fully shows Zhu Jin's resolute character. Then add "don't relax" after the word "bite", and Zhu Jin's personality will be fully displayed. The "broken rock" in the second sentence highlights the tenacity of bamboo vitality. The last two sentences continue to write that the harsh objective environment has honed and tested bamboo. Regardless of wind and rain, regardless of frost and snow, the green bamboo still stands "strongly". The "hammering" and "east, west, north and south winds" are extremely harsh. This poem is a metaphor for people, and the author implicitly expresses his noble thoughts and sentiments by praising the strong bamboo in the rock. The language of the whole poem is concise and profound.
"Insist that the green hills will not relax" and the word "bite" personifies bamboo. Biting is an active action that requires strength. It not only depicts the sight of bamboo climbing to the green hills, but also shows the spirit of bamboo not afraid of hardships, fighting against nature and tenacious survival. After the last sentence, the second sentence "Rooted in broken rocks" tells us that the foundation of bamboo standing proudly on the green hills is that it is deeply rooted in broken rocks. Bamboo is often inseparable from "stone" in Zheng Banqiao's poems and paintings. Sometimes, the stone constitutes the opposite of bamboo, such as "draw a bamboo branch and insert a stone. The stone is one foot higher than the bamboo branch. Although one foot makes it higher, I will improve my strength for many years"; Sometimes the stone becomes the background of bamboo, such as "the autumn wind crossed Xiaoxiang last night, and I felt the stone and went through the forest crazily;" Only Zhuzhi is not afraid, but they have fought a thousand battles. "In this poem, bamboo and stone form a seamless whole. Without it, bamboo is stiff and mountains are green. These two poems also illustrate a simple and profound philosophy: a deep foundation makes strength strong.
With the foreshadowing of the first two sentences, it will naturally lead to the following two sentences: "I am still strong after being tempered, and I am allowed to blow in the east, west, north and south." The bamboo in this poem has one characteristic. It is not a solitary bamboo, nor a static bamboo, but a rock bamboo, a wind bamboo. In Zheng Banqiao's poems and paintings, bamboo is often a symbol of noble conduct and tenacious will, while wind is often a representative of evil forces, such as the above-mentioned words "autumn wind passed Xiaoxiang last night", and another example is: "A gust of wind rolled back and bamboo branches turned to the sky." It's really my business to sweep the clouds and fog. It's not enough to sweep the floor. In this poem, bamboo is also attacked by "east, west, north and south winds" all the year round. However, because it is deeply rooted in rocks, it is still firm and tenacious. What kind of wind can do nothing. The poet wrote the indomitable, calm and confident expression of bamboo with the words "thousand" and "ten thousand", which can be said that the artistic conception of the whole poem came out at once. At this time, it is no longer a few ordinary bamboos that stand in front of us. What we feel is an indomitable vitality and perseverance, and all this is contained in the rustling bamboo sound.
In fact, the bamboo in the poem is also the embodiment of the noble personality of the author Zheng Banqiao. In life, the poet is such a person who has close ties with the lower classes, hates evil and is not afraid of power. Zheng Banqiao's poems on paintings, like his paintings, have a strong three-dimensional sense and can be appreciated as paintings. This poem is like this. Both bamboo and stone are vivid in the poet's pen. The wind without substance is also described as passing by. However, the poet's pursuit is not only manifested in the external shape, but also in every thin and hard rock and bamboo. These rocks and bamboos have injected their own ideals and merged into their own personality, thus making this bamboo stone reveal a profound meaning other than an animal and an inner charm.
This is a poem expressing ambition with things, and it is also a poem about things. This poem focuses on the tenacity and persistence of bamboo, the tenacity of rock bamboo, the integrity, indomitable integrity and unyielding character of iron. The language of the whole poem is concise and persistent.
Introduction: Zheng Xie (xiè), whose real name is Kerou, whose real name is Ang Lee and whose real name is Banqiao, is called Mr Banqiao. Xinghua, Jiangsu.
Zheng Banqiao's life can be divided into five stages: "learning to be an official", selling paintings in Yangzhou, "being a scholar", traveling as an official, being an official in Shandong and selling paintings in Yangzhou again. He is a scholar of Kangxi, a juren of Yongzheng, and a scholar of the first year of Qianlong.
Zheng Banqiao was born in 654381October 22nd and died in 654381October 22nd at the age of 73. He should be the top scholar in Kangxi Imperial Examination, a juren in the tenth year of Yongzheng, and a scholar in the second year of Qianlong (1736). Officials in Fanxian and Weixian counties in Shandong Province have a political voice, "Please ask for relief for those who are hungry at the age of 20, take care of the big officials, and then beg for illness." Before and after becoming an official, they all lived in Yangzhou and made a living by painting and calligraphy. Poetry, words, good books and paintings. Poetry despises idioms. He is good at painting flowers, wood and stones, especially orchids and bamboo. The body of orchid leaves is now in Jiao Mo's brushwork, and its cursive brushwork is vertical and horizontal, and its brushwork is long. More is not chaotic, less is not sparse, habits are completely removed, and strength is endless. Books are also unique. Official letters and sample books are mixed together, calling themselves "six and a half books". Sometimes it is done by painting. The brushwork of the seal is simple and ancient. As a free and uninhibited person, he chose the county magistrate, wrote poems and wine daily affairs through Jinshi, and moved Wei County. At the age of 20, he asked for relief from hunger, and went home after a strike and lived in Yangzhou, which made him famous. Indulge in the mountains and rivers, and travel drunk with poets and wild people to their hometown. When writing down the thin stone of the jungle and the wall of the monk in the lounge, the viewer will sigh. He wrote The Complete Works of Banqiao, which was engraved in calligraphy. The paintings he sold were decorated and spread for some time. As one of the "Eight Eccentrics in Yangzhou", his poems, books and paintings are known as "Three Unique in Yangzhou" and he is good at painting Zhu Lan. Zheng Xie painted bamboo most in his life, followed by orchids and stones, but he also painted pines and chrysanthemums. He is a representative literati painter in Qing Dynasty, and his masterpiece is Lanzhu Map.
About the author: Zheng Banqiao (1693— 1765) was an official, painter and writer in the Qing Dynasty. The word Kerou, Han nationality, is from Xinghua, Jiangsu. He lived in Yangzhou all his life and made a living by selling paintings. One of the eight eccentrics in Yangzhou. His poems, books and paintings are outstanding and independent, and he is known as the "three wonders" of the world. He is good at painting orchids, bamboos, stones, pines, chrysanthemums and other plants, among which bamboo painting has been more than 50 years and his achievements are the most outstanding. Author of Complete Works of Banqiao. Kangxi scholar, Yongzheng juren, the first year of Qianlong Jinshi. After winning a scholar, he became an official in Fanxian County, Shandong Province, and a magistrate in Weixian County, Shandong Province. In order to invite hungry people to be big officials, beg for food and cure diseases.