First of all, there is a powerful planner who has contacts in his hands. He can see a good original in the vast sea of books and get authorization.
Then, start GD screenwriter, CV, director and post-production.
Artists can wait until the dry sound of the drama is collected before entering the formal later stage (of course, if it is a full hand-painted picture, you can start watching it earlier)
Publicity means that when the play is almost finished, you can start working.
Let's start with the simplest work.
In the propaganda part, if you have the conditions and ideas, you should create a momentum in the early stage of the play, half-pinch and half-hold a new play similar to the original elements/a CV/ late stage to attract your attention. If it is a simple drama propaganda, honestly send it to QQ, and all Q groups will be connected once (it is said that nearly 100 of the top propaganda groups are related to online matching = =), then send it to SK, and then send it to YY with ideas (well = = This is really cruel, I once received nearly ten messages asking me to post a post in one night ...)
Of course, the famous original /CV/ late stage itself is the best publicity, which can achieve twice the result with half the effort.
Then the artist.
There are two kinds of artists. One is hand-painted and the other is PS.
Of course, some people can only draw PS by hand, which requires division of labor and cooperation.
It depends on the specific requirements. Of course, hand-drawing is time-consuming and labor-intensive, but it does not rule out the possibility of thankless work.
PS is not impossible, but if you really just take a photo to balance the color difference and the title, such as the staff and the cast-in fact, all plays are not required to have posters ... No posters are better than posters.
Next is the preliminary work (screenwriter, director, CV section) and post-work.
I once discussed with a professional cartoonist friend how to make a work more interesting.
In fact, radio dramas, novels and cartoons seem to have different carriers, but they are common to some extent.
Yes, for a radio drama, a good CV, a good soundtrack, a suitable sound effect and a strong later stage are the basic elements of a good radio drama. Just as novels look at the author's writing style and comics look at the painter's painting skills.
However, if conditions are similar, let's take a radio drama as an example. The original quality, CV and post-production level are similar. What is the evaluation basis, which is good and which is not?
Let's give a small example.
Maupassant once said that there is basically nothing new in this novel. The scene of the novel has been written almost, and the rest depends on how you write it. (To this effect, I can't remember the specific statement)
When we see a novel with similar scenes, we can basically see at a glance that this one is well written and that one is not well written. Why?
The rhythm of the play.
In fact, the screenwriter and the later stage are the two most soulful beings in the whole drama.
Of course, I'm not saying that the director is not important, and CV is not important. However, it is the screenwriter and the later stage that directly shape a drama. Grasping the direction and process of the drama is fast-paced and level.
Someone once asked me how to write a play. Is it easier to adapt comics into scripts? Because there are many conversations.
I really want to laugh after hearing it. If the screenwriter just connects the dialogues in the original and deletes everything else, it will be too simple.
Screenwriter, first of all, you have to be most familiar with the original, not to mention how many times you have to watch it, not to mention knowing it by heart; But at least one thing, you must clearly know the logical direction and time direction of the whole play.
Before starting to write a script, as a screenwriter, we should first sort out the original novel and confirm which angle to start from. The simplest way is to take time as a clue, or take the perspective of a protagonist as a clue. (In fact, this is similar to writing a novel. )
Then, according to the logical clues you have confirmed, list the major events and minor events in the original work in order (of course, they are not necessarily listed on paper, but can also be read in your mind), and consider whether to stay or give up according to their promotion and importance to the plot, or change the bright field into the dark field (for example, a thing that happened completely in the novel was changed to be dictated by onlookers in the play). Of course, there are also factors such as the time limit of the play.
Personally, I don't like the way of scriptwriting with many narratives. Of course, narration is actually the best way for writers to deal with difficult problems, especially "...";
Question 2: What is a radio drama and how to write a script format for your reference?
Radio drama, English: Radio drama refers to a drama played on the radio, which is mainly performed by announcers or voice actors. Also known as radio drama, seiyuu drama and seiyuu drama.
Music and sound effects: [Time and place] For example, whether on the road or in the room, day or night, different times and places need different music and sound effects. [Action] If this action is helpful for CV dubbing and later stage, it is better to write it out. For example, drinking tea, running, and drawing swords ............ ……CV dubbing: the name of the character (expression): the content of the speech (psychological activity) For example, Yukime Suneyar (smile): Yes, I'll wait for you here. You are the fairy of Yulong Snow Mountain. Yukime: Fairy? I laughed, and then I realized that I hadn't laughed for a long time. Who did you hear say I was a fairy? My heart aches. In a flash, I decided I want to keep him. Music sound effect is actually looking for resources in the later stage, and there is a huge music sound effect library in the later stage. It is better for him to choose music than a screenwriter, but if you already have selected music, please indicate it in brackets (including various requirements for music sound effects). However, I think it is better to choose music later, otherwise the sound effects of various parts may be uncoordinated.
Reference: baike.baidu/view/297862.
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Question 3: The format of radio drama scripts is the same as that of general film and television scripts. At the same time, whether it is funny is only related to the content and theme, but not to the format. Whether it is a tragedy or a comedy, its writing format is the same. The biggest difference between a radio drama and a film and television drama is that there are no hints of actions and pictures, and more scenes are changed through background music, so theme music and background music need you to give some hints in the script. \ r \ For specific radio drama writing formats, please refer to any existing radio drama format. Of course, the innovation of format also means the innovation of your radio drama.
Question 4: I want to know how to be a screenwriter of a radio play and how to write a script. First, you need to know:
Radio plays are all based on sound, so first of all, your lines should make people feel that the characters' characters and the plot of the story should be hierarchical, and each issue should have prominent points and conflict points, otherwise the whole script of the first issue will be mediocre and no one wants to listen.
Secondly, you need to mark the feelings at that time, as well as the scene situation and sound effects at that time, so that cv, director and later stage can understand the atmosphere at that time and find the correct grasp point. The description of sound effects should have a sense of space, pay attention to the changes, levels and priorities of sound effects, and know how to choose. In the script part, the lines of the character suggest that everyone choose different colors for each different state, so as to distinguish cv from the director and not mistake the lines. Nor will monologues become ordinary speeches in the later period. As for the background music, it actually depends on the cooperation with you in the later stage. Some people like detailed scripts in the later stage, and she can finish the work quickly according to your requirements. And some people hate your later detailed writing and want to guide them to deal with sound effects and show the plot. They like to add or subtract things freely according to their own understanding. In addition, it is not recommended to have a long single line when describing the plot, which will sound a bit boring. Unless your lines are very emotional, you need a higher cv.
Write two or three movie-length stories and one or two long stories in a year or two, and organize them into electronic documents and send resumes to all parts of the world. Never mind the location and salary ...
Nowadays, screenwriters are generally recruited to do company projects. It is very difficult to do their own projects, but if they persist, as long as their projects are good, they will have opportunities.
About the script, if you are talking about the script of the literary drama. done
I can give you a general format. It should be divided into scenes 1, 2, 3 and so on. After each scene, you should write down whether it is a sun scene or a night scene, that is, whether the story takes place during the day or at night, indoors or outdoors, that is, whether the story takes place indoors or outdoors, and also write down the specific place where the story takes place. For example, 1 interior Xiaoming bedroom. Another example is the night view of the outdoor square.
Then you need to write words, which can explain the environment, but these languages must be expressed by visual pictures, and rhetoric methods such as metaphor cannot be used. In the text, the actions, language and dress of the characters should be written out, which can also be shown on the screen. There should be no psychological description in the article, for example, she is ambivalent and wants to fly out. This is the language in the novel.
Give a simple example:
1 In front of the dormitory with sunny scenery.
It's still raining, and students come in and out in twos and threes with umbrellas. (Panorama)
Dawn stood in the rain and looked at the farthest window on the fourth floor. (Mid shot)
Xiaoli's bangs have been stuck on her forehead, and I don't know if it is tears or sweat on her face. (Close-up of face)
Then another one, you can refer to the following:
Writing format of brush
Format is a prescribed or generally accepted form. This statement is mainly about text. The job of writing Courage is to turn one's thoughts into readable texts through words, that is, to write scripts to reflect them.
But some friends don't quite understand the format of the script, which is the most basic homework of the screenwriter. We can't always come up with a good story As a result, when people looked at it, he smiled from the heart first. This boy is still very tender, and as a result, he bullies us on the price. From the writer's own point of view, we also have the responsibility to make a standard and beautiful text, which not only makes readers feel comfortable, but also trains their skills and serious consciousness.
Scripts are divided into literary scripts, director scripts, director storyboards and movie scripts. But after directing the script, this book is not a screenwriter's business.
The format of this book is roughly one paragraph per scene. It should be divided into place, time, internal and external scenes, and some also list the characters in this scene.
The capacity of the notebook is also very important. I have read many books, and the stories are very creative, but the stories are far from enough. Since this thing has no specific quantification, what I have listed here is the conventional quantification standard.
In terms of words, a movie book should have at least 35,000 to 45,000 words. The whole play will have about 120 scenes. As far as the number of pages in a book is concerned, the principle is one page per minute.
Television movies and books are much weaker than it. But it is not a weak ability, but a weak grasp of reality. The difference between the two is that this movie is about feelings, so time is required ... "";
Question 5: How to write a radio drama script and how to be a radio drama screenwriter? How to write the script? What about the column? Mainly examples! ! ! Find more scripts.
Let me send you some.
But they are all bl and gl's.
Question 6: How to write a radio drama script and how to be a radio drama screenwriter? How to write the script? What about the column? It has been sent for inspection. If you have any questions, please make sure to read the email completely before asking me!
I didn't receive the number 1. Please check the mailbox and trash can.
Second, don't adopt it in a hurry. The sending volume is too large and the speed is too slow. You can ask me, but please accept it when you receive it.
Don't look at the wrong person when adopting! ! & gt Geng Qi; Question 7: Can I give you some scripts in outline format for radio dramas for your reference?
Question 8: How to become a screenwriter of a radio drama? How to write the script? Learning to write plays is not difficult. The difficulty is whether you understand movies and what you mean by radio dramas.
Question 9: Ask for the format of the outline of the radio drama-someone even asks for the format.
Let me describe you as "three stones, three miles of peach blossoms".
The script must be published. It's the first act, the second act or something. There is no requirement for a name.
event
(Ambient sound outside the cloud nine)
Nai Nai, how long did I sleep?
Nai Nai: Maybe because I'm pregnant, I really want to sleep. Don't worry, queen.
Su Suo: Hmm. ...
Susu Soul: Nai Nai is the handmaid who takes care of me. She is the only fairy who is willing to smile at me and call me "Queen". Most other fairies look down on me. Because YeHua didn't give me any title. Also because, I am not immortal, just a mortal.
(Footsteps)
Nai Nai (surprised): "Empress, the wife of the womb has come down to see you!
(The sound of getting up and lifting the quilt+the sound of sitting on the bed and sinking the quilt)
Susie: Are the stars bright tonight?
YeHua: Susie, it's daylight.
Mr.zhou (in a trance, with a slight tone): Really? ...
YeHua: I will marry you and be your eyes.
(The cup is broken+the stool is kicked over)
This is just an example. What I want to say is that the preview is the later sound effect BGM, the emotional prompts of the characters and so on. Must be represented by different symbols. For example, () {} and so on. One more thing! ! The lines of different roles must be expressed in different colors! ! Although it looks flowery, it is really easy to recognize, otherwise it will be embarrassing to read the wrong lines or something.
There is also the need to write clearly the sound effects in the later period, and then communicate with the later period.
The rest is the summary of the screenwriter-for example, the sum of the characters with thick lines should be summarized at the beginning, and then the characteristics of the characters and the suitable timbre should be summarized. .
Question 10: How to write a radio play? What format is it? Specifically, for reference. As the name implies, radio plays only have sound, so many expressions and emotions need to be expressed through language. Therefore, writing a radio drama script should take the audience as the starting point, and a good radio drama should have as little narration as possible, and should not be lengthy. Try to express the character and image of the characters in the dialogue.
Adopt it