For China's film and television productions, we have no better subject matter to discover except for consuming scripts left over from history. Not only is there a lack of subject matter, but more importantly, there is no prototype for an industrial revolution in Chinese movies and TV dramas. Each of China's fourth-generation directors has a unique character that cannot be duplicated. The thinking about movies brought about by the era they lived through could not meet the expectations of the commercial public, and the tragedy of China's literary films is that they overestimated the beliefs of the Chinese audience, which is why they have basically disappeared.

Zhang Yimou's Great Wall attempt to Sino-US cooperation embodied in the incestuous, just engraved the old Mouzi's own perception of light and shadow of a certain segment, there is no way and technology industry to bring a better blend of commercial blockbusters to understand a reason and story, so the overall is a failure, but thanks to the old Mouzi's self-flagellating reputation of attempts to be very bold, but also very hard. We have to pin our hopes on Urshan, Ning Hao, these five generations of directors, commercial to meet the industrial age cost claims, story sentiment to meet the audience sentiment, naturally have the audience to buy, after all, Urshan on the aesthetics and color grasp has reached a stage where you can shoot a blockbuster, and Ning Hao is good at finding the small comedic elements around us, the varied human appeal. If the movie wants to learn American popcorn elements, sooner or later it will suffer, because the audience is not only watching special effects, but more importantly, the feelings around us. A group of old artists also caused the depth of the work of shaping, we can only see the Korean culture left us a large number of the so-called fresh meat, no manhood, no solid professional knowledge, just by virtue of the appeal to attract fans, so Chinese movies and TV dramas if you want to break through, in a sense, is the screenwriter, filmmaker, film industry, artists, and the audience's taste of the docking, we need to work on it!

Now, there are a lot of things that we need to work on.

Most movies and TV shows nowadays are commodities, which first have to cater to the market and the needs of the current audience, so they naturally reflect part of the current social culture. With the advent of the media era and further development, more and more film and television talent will be more likely to stand out, the future of film and television works will be blossomed, the scale will be more and more large, talent space and stage will be increased, but also to kill more "dark horse".