Question 3: What is the best network self-produced drama to recommend? Recently, it is definitely the "Prince Consort Promotion"! Then a while ago, there is the "Soul Swing", "Genius J", "Heartless Master" and "The Dark One" and so on. The above is more impressive, I personally think it's quite good, I hope the owner likes it. Come forward to add! Recently, there is a new Aqiyi self-produced drama "The Best of Us", which is a youthful campus idol drama adapted from August Chang'an's novel, a great drama!
Question 4: What is the meaning of self-produced drama Chinese TV drama is usually a business ah what investment to the film and television field division shooting, shot and then sold to the TV station to play
Self-produced drama is the TV station's own investment to look for their own actors and actresses to shoot a TV drama, shot out of course, is also in their own TV station, it is not possible to be taken by the other stations to re-run it
Question 5: Network self-production
Question six: the good-looking network self-produced drama, 50 points, the Division
Question seven: what are the good-looking network drama Soul Pendulum - suspense with a little bit of horror, warmth, not lack of profound actors acting praise very good network click rate is very high, a high rate of a drama, never watch the horror of the valve can not resist the temptation, the result of a hair out of control, good looking forward to the second season
Division - suspense time, the time is very good, the time is very good, the time is very good, the time is very good, the time is very good, the time is very good, the time is very good. The Deceiver - suspense, time, superpowers, tight plot, handsome girls, good acting, all kinds of appealing factors
Rush - never seen it, it was very popular for a while
The Dark One - ready to watch it, it is said to be OK
The Black Sky Coffee House of the Ancient Sichuan Legacy - haven't watched it for a while yet
Wan Wan Wei Zhi - hilarious, quite a lot of people recommend it, but I have not watched it yet
Question eight: Why do contemporary people like network self-produced drama Nowadays, but with a "self" word, it seems to be very fashionable and new, representing a new force, vaguely revealing the "subversive", "disruptor" flavor. The word "self" seems to be very fashionable and new. But in fact, a lot of "self **" really does not count for anything, since the media bar, 05 years on something, since the business bar, Taobao opened not a year or two.
Recently, in the video site's efforts to promote the self-produced drama and emerged, Sohu video on the 18th of this month also opened a conference to "Dream Factory" as a call, "through the most in line with the characteristics of the Internet user self-produced content to achieve the strengthening of the media attributes, highlighting the content of the product The core competitiveness of the platform to promote the openness and equality of the right to create, and cultivate a mature business model." The first thing you need to do is to get your hands on a new product, and you'll be able to do that.
Perhaps it may be related to the specific media management in our country, it seems that this industry is a national organization to play. For example, the media have this feeling: there has to be a competent organizer. But in fact, China's millions of websites, most of which do not have a "double master" mother-in-law. As for the production of film and television products, even in China, the separation of production and broadcasting is not a day or two, a large number of programs are produced by non-state-owned state-run organizations.
Globally, there are two broad models for TV program production. One is the US model and the other is the UK model.
The U.S. model, also known as the deficit finance model, means that the producer of the program has to share some of the financial risk in the production of the program, or possibly even all of it, while the broadcaster of the program, the television station, mainly plays the role of a broadcasting channel, and puts in little or even no money.
The payoff for this model is that the producer gets secondary and tertiary sales rights for the program he or she produces, and even more spin-offs.
In the British model, also known as cost-plus, the network will tend to pay more for the production costs, with no financial risk to the producer and most of the secondary rights going to the network.
And so we see that cartoon characters like Mickey Mouse and Donald Duck, which we would normally say are Disney, and the Teletubbies, which we would say are BBC. This is the most superficial result that arises from the two systems.
What is it about web video doing self-produced shows? It's really the UK's cost-plus system, where a broadcast platform invests in the production of a program.
What's unique about the UK model is that it can potentially afford to devote huge resources to slowly polishing up gems - in fact the BBC has a significant chunk of its funding from *** grants and doesn't have to think about too many commercial pressures - but the downside is that there's less production. .
Producers are very much like outsourced part-timers for TV stations (and many more producers who are themselves employees of TV stations) because they don't have second- or third-tier sales rights, and thus aren't economically viable enough to be very much like outsourced part-timers for TV stations (and many more producers who are themselves employees of TV stations), and are unlikely to be able to generate large-scale mass-productions, and so British dramas are far smaller in terms of output than American ones, and don't have to think much about the commercial market. These characteristics are precisely the shortcomings of online video.
Although some data show that Chinese netizens in the video program requirements are improving, the early crude products have been abandoned in a certain sense. But because of the speed of the Internet, the size of the screen, too much beautiful production actually does not mean too much.
Instead, online video usually needs to win in terms of volume. Because compared to a single TV channel, which is only available 24 hours a week, online video users get what they want, and websites need more volume to satisfy them. The supply of product volume is crucial.
Therefore, from the overall supply point of view, self-produced drama is unlikely to become the main source of supply of video sites, as a supplement, is very likely, Sohu claimed that the annual output of 2,000 hours of self-produced drama content is and its U.S. drama reserves to compare, but it is also a smaller number.
Self-produced drama and copyright procurement, in fact, is a pair of see-saw, when the copyright procurement costs are too high, the video site will consider increasing the investment in self-produced dramas, which led to a decline in the cost of copyright purchases, so the video site began to purchase a large number of. This is a relatively normal situation.
Of course, there is one difference between online video and the TV industry: it can take advantage of the so-called "big data", especially for Sohu. Sohu has the largest user base in China for input methods, plus search and browsers to help. Theoretically, it does have the ability to detect which movie stars and what kinds of programs its users are into these days, which supports a more targeted approach to self-produced video programming.
Advertisers across the market are investing more in this area of video, up nearly 25% year-over-year in 2013Q1, but Sohu Video is struggling for now in the competitive landscape.
News from China Business Network said that a former Sohu video insiders revealed that in 2012, Sohu video advertising revenue of only 300 million more than the second place in the video industry with Sohu video to compete with the love of Qiyi in 2012 advertising revenue ...... >>
Question 9: The recent good-looking network self-produced drama exterminator, not bad.