1, Dong Qichang (1579-1636), the word Xuanzai, No. Sibai, also known as Xiangguangju Shi, Songjiang Huating (now Songjiang County, Shanghai), was born in the hometown of the "two Shen", since early childhood by the art of calligraphy. He used Buddhist Zen as a metaphor for painting and advocated the theory of "North and South Sect", and was an outstanding representative of the "Huating School of Painting". His paintings and painting theories had a great influence on the painting world in the late Ming and early Qing dynasties. His calligraphy is characterized by the beauty of "Yan Bone and Zhao Zi".
Representative works include "Rock Dwelling", "Eight Scenes of Autumn", and "Day Jin Hall". He is the author of "Essays on Painting Zen Room" and "Collected Works of Rongtai", etc. He also engraved the "Playing Hongtang Post".
2, Zhu Yunming (1461-1527), the word Xizhe, Changzhou (present-day Wu County, Jiangsu Province), because of the peculiar appearance, and self-deprecating ugly, but also because of the right hand has a branch of the finger, so the name of the branch of the mountain, the world known as the "Zhu Jingzhao," the Ming Dynasty, a famous calligrapher. His cursive calligraphy master Li Yong, Huang Tingjian, Mi Fu, profound strength, especially in his later years, the changes, the firmament is rotten.
The best works of his are "Taihu Poetry Scroll", "Konghou Quotes" and "Red Cliff Fu".
3, Tang Yin (1470-1524), the word Bohu, later changed the word Zi Ai, the name of the six Ruju Shi, Peach Blossom Nunnery, Luguo Tang Sheng, fleeing the Zen Immortal Officials, and so on, the Ming Dynasty painters, calligraphers, poets. Tang Yin's calligraphy, masked by the name of his paintings, was mainly based on Zhao Mengfu, and this painting is even more influenced by Li Beihai, which is handsome and elegant, charming and colorful, and the strokes are rounded and free, but the brushwork is a little weak, and the hooks and picks are soft, and the structure tends to be a little loose.
Representative works include "The Collection of Six Ru Jushi", and "Seven-Litany Poems in Running Script".
4, Wen Zhengming (1470-1559), formerly known as Pi, Zhengming. From the age of forty-two, he was known by his characters and changed his name to Zhengzhong. Because of his ancestor Hengshan people, so the name "Hengshan Jushi", the world called "Wen Hengshan", Changzhou (now Suzhou, Jiangsu Province), Ming Dynasty painters, calligraphers, writers. In his early years, he was influenced by his father's friend Wu Kuan to write Su style, and then by his father-in-law, Li Yingzhen, to learn more Song and Yuan brushwork. Lowercase master of Jin and Tang Dynasty, the force tends to be robust.
Representative works include Seven Poems in Cursive Script, Poems of the Morning Court of Fengtian Temple, Seven Poems in Large Running Script, Seven Poems in Running Script, and Seven Rhymes in Running Script.
5, Wang Chong (1494-1533), the word Cuiren, Cuji, the name of Yayi mountain people, Wu County (now belongs to Suzhou, Jiangsu Province). His regular script was first learned from Yu Shinan and Zhiyong, and his running script was modeled after Wang Xianzhi. In his later years, he developed his own style, which was clumsy and elegant, and he was a famous calligrapher after Wen Zhengming. He was a famous calligrapher after Wen Zhengming. The poems he wrote also had a pleasant and elegant style, and his landscape paintings were on a par with those of Tang Yin, which were known as the "Three Greats" at that time. His poems and writings had a high reputation at that time, and he was especially famous for his calligraphy, which was good at lowercase, and his cursive writing was especially exquisite. He was a famous calligrapher in the middle of the Ming Dynasty.
Author of "Ya Yi Shanren Collection", the heirloom of the book has "Poetry Album", "Miscellaneous Poetry Volume", "Thousand Characters", "Nineteen Ancient Poems", "Li Bai Ancient Style Poetry Volume", and so on.