"Life and death come and go, shed head puppet, a line breaks when, down and out."
Click on the blue word below the title to pay attention to the movie Text | Yi sister On the weekend, I went to see "Attack of the Show". The whole time I was watching the movie, I kept thinking, the climax is coming, the climax is coming, right~~ There was no climax, and the whole movie ended uneventfully. I'm not a fan of the original, but I can't give the movie a high score. One point for Scarlett's body, and one point for the dopey CG team. Those who want to see a flashy scene can still go for the super-long version of the Future New World music video. (Global reviews are generally disappointing) Attack on Titan is a Japanese manga serialized by Masamune Shirow since April 22, 1989, and has been adapted several times for film and television. The story is simple: a human brain finally combines with a mechanical body, with both the emotions of a ghost and the immortality of a shell. But her memories can be implanted, everything can be fabricated digitally, and she's caught up in constant self-doubt - If consciousnesses are written, and memories can be fabricated, is there any value to this thing called a soul, or not? To really understand Attack on Titan, one has to understand a line of poetry - Life and death go to and fro, shed-head puppet, when a line is broken, fall down. The original text is from "The Flower Mirror" by Japanese Noh theater master Se Aya, which "Attack on Titan: Innocence" borrowed to end. It means - Life on earth is nothing but a shell of flesh that is manipulated like a puppet by the strings of the soul. When the soul leaves the body, the shell that remains is nothing but scattered waste like a puppet with broken strings. At the end of the original Japanese story, Suko blends into the infinite number of programs, not even wanting her body, into a wider vehicle. It's a very Buddhist kind of ending, where the true self doesn't matter, what matters is no self. In the American version, Scarlett's musings result in a violent government deportation of homeless young men and women, a friendship boat that has capsized so badly that she wants revenge. The good old "who am I" becomes "who am I going to kill". The gimmicky Breaking the Shell of the new version of Attack of the Shells is that it lets Scarlett run around almost naked, which is thought to show off her body, but it's been trolled by the netizens as -- "Send this picture to my mom. Send it to my mom, who will understand why I don't want to wear a fall coat." The declaration of justice in the final scene screws up the entire movie, which has basically become a standard American blockbuster by mixing one with Supernatural and The Avengers. Scarlett was never just an actress who could hit and strip Scarlett Johansson is my love. In the world of film and television, "Sister Widow" is an absolute legend. "Criminally sexy" - that's what American director Woody Allen said about her. Many domestic viewers became familiar with Scarlett Johansson through Black Widow. 2012, "The Avengers" 2014, "Captain America 2: The Winter Soldier" 2014, "Supernatural" 2015, "The Avengers 2: Age of Ultron" 2016, "Captain America 3: Civil War" Sexy+fighting woman's label, already penetrated y into people's hearts. The truth is, gorgeous and sexy has always been Scarlett Johansson's weapon, but not the only one. We only know her for her sexiness, her "Black Widow", but we forget about her acting, and the fact that she's been in more artsy movies than commercial ones. ◆ 1997, "The Kids Are All Right" She had already made a name for herself, with an aura of serenity that contrasted sharply with the deliberate vigor and cuteness of a young actress of her age. ◆ 1998's "The Horse Whisperer" Scarlett Johansson learned to speak horse in order to act out her bond with horses. Her emotional control has always been stable, and at the time, at the age of 13, she was already able to drop in and out of interviews. ◆ 2003's Lost in Tokyo It was probably 2003 that really brought Sister S to the public's attention, when she appeared in the literally high-flying Lost in Tokyo. With the veteran actor Bill Murray, flourishing Tokyo, two people from meeting to fall in love to break up, have nothing to do with the flesh, only everything like the cherry blossoms fall silently, as far as possible. The opening 30 seconds are framed here, this picture is not for the audience to masturbate, in order to talk about her loneliness. There are few lines. In the rain, she renders, with her eyes, how a lost young woman fights loneliness with her will. With this movie, she was nominated for a Golden Globe, and she won awards that year. ◆ 2003 Maiden with a Pearl Earring In the same year, Maiden with a Pearl Earring was the first movie that established her as an actress. This costume, creeping on the scene, was considered, Scarlett was born in the wrong era, from the Middle Ages. A slave, unraveling her master's heart, in such actions as wearing pearl earrings, her panic and slight pain, releasing a high-level erotic undercurrent. ◆ 2005, Point Race They love like glue, but end up being ruthlessly shot by the hero's selfish desire to be among the upper class. Scarlett proposes to the director that the pouring rain be used as a metaphor for the, real, passion the two once had. ◆ 2006, Under the Skin She tries to be human, she tries human cake, to initiate taste. She listens to the melody in the tape recorder, to actively feel the sense of hearing. But she doesn't know love, only lust. She wakes up to the realization that she cannot be human. All her voices acted, and in the literary film Her, Scarlett became the first actor in the history of the Rome Film Festival to win an award for her voice when she contributed only a voice-over. (Her voice makes the male lead swoon) And The Scoop, Midnight in Barcelona, Don Juan ...... There are so many movies where Scarlett Johansson doesn't take off and looks good. Scarlett Johansson's best sexiness, never tightly sexy, is a kind of repression, a look, a longing, a kind of timidity. The body is too straightforward for her, and her sexiness contains an immense depth. She won the MTV Movie Award for "Best Fight Scene" after appearing in "The Avengers" because, she says, joining a Marvel superhero franchise was inevitable, but she didn't want to be a "trophy" -- when, and if, she's not a "trophy" -- she's a "trophy". -- And when it comes to that, it's about being the best fighter. Unfortunately, she's tired of being in the spotlight all the time. In Avengers 2, Scarlett even acted smart about the confrontation. The reporter asked "your character, it is easy to be belittled as the team's sex appeal ......" Widow's humorous and witty answer, although the "hammer brother" Chris Hemmings. "Chris Hemsworth inexplicably lie, but managed to get himself out of trouble. "Attack on Titan" could have been her new high point, a sci-fi movie full of Eastern philosophy, a commercial movie that explores human nature, religion, and existentialism, and an IP that should have leapt to even greater heights - but it still let the audience down. This time, she's naked for nothing. A good movie should mirror the times I walked into the theater expecting Attack on Titan, and a good movie should, in fact, mirror the times. What I was expecting was that Scarlett's character, Suzi, would stand in the context of 2017 and answer the question of whether the soul has value. After all, in this day and age, every home has a floor sweeper, and AI nannies can be customized in a few years. Technology is growing exponentially, and our concepts are iterating like crazy. Yuval Noah Harari, who took the world by storm with A Brief History of the Future, made the future clear: Humans, don't overestimate yourself, everything is just an algorithm. Our feelings can be turned into big data and be calculated. This conclusion is so subversive. But don't forget that when heliocentrism was first proposed, people were so shocked that the Church burned Bruno, its proponent, at the stake. But what happened? "Heliocentrism proved to be an advancement in culture, but it was just too much for people to accept at the time. Around 1830, Schopenhauer said that the body is the expression of desire in the phenomenal world, meaning that the body is the boundary of the self.
By 1995, a huge amount of sci-fi, represented by Attack on Titan, came along, asking the question - if the mind can be mimicked by artificial intelligence, and the physical body can be replaced by powerful machines, how do we prove we're unique?
So, I thought that Scarlett, once off, could tell me - People should not be afraid that they are changing, because, for us, the world has never been constant either, it has always been changing ah.
The only thing you can do is to adapt to the change, to accept the new "truth", and to be open to the possibilities.
That's what a remake of a classic sci-fi movie is all about.
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