Take "The Moon on the Western River - Night Walking on the Yellow Sand Road" as an example:

"The Moon on the Western River - Night Walking on the Yellow Sand Road" is a poem by Xin Qiji of the Song Dynasty, which recites an idyllic scene. The time is a summer night, the place is a rural field with mountains and water, revealing the poet's joy for the year of harvest and his love for rural life. This is exactly the joy that the author gets by forgetting the nature.

The original text is as follows:

The bright moon startles the magpies on other branches, and the clear wind chirps cicadas in the middle of the night.

The fragrance of rice flowers speaks of a good year, and the sound of frogs is heard.

Seven or eight stars in the sky, two or three points of rain in front of the mountain.

On the edge of the old thatched-roof store and the social forest, the road turns to the stream and the bridge and I suddenly see it.

Vernacular translation:

The bright moon in the sky rose above the treetops, startling the magpies perched on the branches. The cool evening breeze seemed to blow in the distant cries of cicadas. Amid the aroma of rice, people talked about the harvest year, and a chorus of frogs chirped in their ears as if they were talking about the harvest year.

Light clouds floated in the sky, twinkling stars appeared and disappeared, a light rain fell in front of the mountain, I hurriedly crossed the stream from the small bridge wanting to escape the rain. In the past, the land temple near the woods next to the thatched cottage store where to go? After turning a corner, the thatched store suddenly appeared in front of me.

Expanded:

Literary Appreciation:

If the words tied down are not circling the summer quiet, then tied down is clearly being undulated by the undulation of the Willow Road Curve Win. Since the concluding words appear to be a clear pause at the end of thought and music, at the beginning of the concluding words, the poet sets up Qifengju Jun, the use of couplets in order to strengthen the stable timbre.

"Seven or eight stars beyond the sky, two or three points of rain in front of the mountain", where "stars" are rare stars and "rain" is drizzle, all of which are meant to be in harmony with the tranquil night knot, the serene The atmosphere and simplicity of the atmosphere to match.

Specifically, a "celestial body" and a "mountain front", originally distant and unpredictable, suddenly come into view with the movement of bushes and the passage of a bridge, and the shadows of a village store on the edge of a rural forest.

While the poet is familiar with the road along the yellow sandy road, he forgets to pass beyond the "paradise", through the "mountains", and does not even notice the forest next to the thatched store near her temple, because he is so well out of the joy of the future harvest. Before the "road turn", after the "suddenly see".

It shows not only the poet's sudden joy in approaching the old house, but also the extent of his madness in being intoxicated by the fragrance of the rice flowers and forgetting the distance and the distance of the road. It complements each other and reflects the author's deep artistic foundation, giving endless enjoyment.

On the surface, the subject of this word is nothing but some extremely ordinary scenery. The language has no embellishments, no allusions, and the hierarchical arrangement is completely natural and indifferent. However, it has the poet's heartfelt thoughts and simple sentiments in a seemingly plain place. Here, the reader can also appreciate another realm of Jia Xuan's words beyond the heroic.