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What is the principle of changing face?
What is the principle of changing face?

What is the principle of changing face? Sichuan Opera is one of the Han operas. The most striking feature of Sichuan Opera is its changing face. Presumably, everyone has made a makeover on some platforms or seen Sichuan Opera with their own eyes. So what is the principle of changing face?

What is the principle of changing face? 1 Changing the face of Sichuan Opera is one of the stunts performed by Sichuan Opera. The principle of changing face is to apply makeup pigment to a certain part of the face. When necessary, the performer can change face by wiping his face with his hands. Changing face is a special skill in shaping characters in art, and it is a romantic technique to reveal the changes of characters' hearts, thoughts and feelings in the play.

There are three basic methods of changing face: wiping face, blowing face and pulling face.

1 Wipe your face: Apply makeup oil paint to your face to change your face shape.

2. Blow your face: Blow into a small box full of powder, so that the powder inside can stick to your face, so as to change your face.

3, pull the face: you need to draw the face in advance, put it on with silk thread and hide it in clothes, and use special skills to complete the face change.

Pulling a face is the most complicated of the three methods. Performers should draw all their faces on silk and cut them open, and tie a silk thread to each face. Then put the mask on your face, tie the silk thread on your belt, and then take off the mask one by one with the rhythm of the dance movements, thus completing the face change.

Where did you put it when you changed your face?

Make a makeover and pull it down. Where did you put it? This is the key to face-changing technology. Usually, when changing faces, special clothes and props are used. The torn face will be hidden in an unnoticed belt, and at the same time, with some dance movements, it will cleverly avoid people's sight.

How many faces can you change at most?

According to Guinness World Records data, in 2008, Fan Lei set a record of 62 mutations in Sichuan Opera, which no one has surpassed so far. Wang Daozheng, the "face-changing king" in China, once set the Guinness World Record for 20 seconds 15 faces.

What is the principle of changing face? There are three ways to change your face: "wipe your face", "blow your face" and "pull your face". In addition, there is a kind of "luck" face change. Then paint your forehead or eyebrows. If you only change the lower half of your face, you can paint your face or nose.

1, wipe your face

It is to apply makeup paint to a specific part of the face, and then wipe it on the face with your hands, and it becomes another face. If you want to change everything, draw it on your forehead or eyebrows. If you just want to change the lower part of your face, draw them on your face or nose. If you only need to change one part, you can only paint the part to be changed.

For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces". Now it's time to know how Sichuan Opera changed its face! It's not that complicated.

Step 2 blow your face

Only suitable for powdered cosmetics, such as gold powder, toner and silver powder. Some put a small box on the floor of the stage, which contains powder. When the actor danced on the floor, he took the opportunity to blow his face close to the box, and the powder was scattered on his face, which immediately turned into a face of another color.

Be sure to pay attention: close your eyes, shut your mouth and hold your breath when blowing. Zizi in Capturing Zizi alive and Le Yangzi in Treating Zhongshan were all transformed by blowing their faces.

Step 3 pull your face

"Face-pulling" is a complicated face-changing method. It is to draw a face on a piece of silk in advance, cut it open, tie a silk thread to each face, and then stick it on the face one by one. The silk thread is tied in a convenient and inconspicuous place (such as a belt) in the clothes. As the story progressed, under the cover of dance movements, they were torn down one by one.

For example, the bowl in The Legend of the White Snake (Zijin Bowl) can turn seven or eight different faces, such as green, red, white and black. Another example is the thief in The Old Main Building, and Nie Long in Watching Niang Beach. It's hard to pull a face. First, don't have too much glue on your face, lest you tear it off at that time or tear off all the faces at once. Second, the action should be clean and neat, and the fake action should be clever and can deceive the audience's eyes.

There are four key props: hat, collar, coat and swaying tent.

The role of shaking the tent:

1, blocking the mechanism behind.

2. Cover up the swollen back and coat (because the organs are inside)

3. When performing, you can block the movements on your hands.

The function of coat: the greatest learning lies in it: it contains the mechanism of electricity and the changing face.

The role of the collar; Cover up the action of pulling down the face, just like the scarf we wear in winter, every face is pulled down from the neck to the collar.

Hat: if it is pulled or rolled, there is a mechanism in the hat, but the hat is small and generally can't hold a few faces. Usually half of the face is pulled up. However, even the whole face must be covered with a hat. Facebook is made of silk. Thinner and lighter, otherwise it is impossible to change thirty or forty faces at a time.

Another way is to "change your face with luck." Legend has it that when Peng Sihong, a famous actor in Sichuan Opera, played Zhuge Liang in "Empty City Plan", when Qin Gui reported Sima Yi's abdication, he could turn his face from red to white and then from white to green with qigong to show Zhuge Liang's fear after liberation.

Many times, just watching the magic scene unchanged is very happy, just like the' truth' of magic, which will make many people feel a little disappointed. Although the face-changing of Sichuan Opera is magical, it can also be learned.

What is the principle of changing face? 3 The principle of changing face of Sichuan Opera.

First, turn the invisible into the visible.

The essence of changing faces in Sichuan Opera is to transform some unexpressed emotions in people's hearts into concrete images that adults can see and perceive the bright side. And through the performance of Sichuan opera, we can see the inner entanglement and emotional changes of the characters, and the specific performance is expressed through various faces.

This performing art is also a very romantic expression. In ancient times, there were rumors that people wanted to scare away wild animals through different forms of faces. Sichuan Opera has put face-changing on the stage, which is well known to everyone, and has also turned Sichuan Opera into a unique skill with its unique face-changing technique.

Second, the face-changing technique of Sichuan Opera.

Moreover, the most important thing for Sichuan opera to change its face is the technique of changing its face, mainly wiping, blowing and pulling its face. Wipe the face is to paint the facial features, which is relatively simple to operate. Face blowing refers to putting some powder cosmetics in a small box, and the actor takes the form of prostrate dance to make the powder adhere to the face and change the color of the face.

Pulling a face is complicated and difficult, so it is not advisable to use too much glue. The action should be neat, fast and accurate, and it needs to be cleverly concealed.

Third, the appreciation and emotion of Sichuan Opera's changing face.

Moreover, Sichuan opera pays attention to emotional makeup when it changes its face. In ancient times, actors were required to do it backstage, but now they directly adopt the performance method of changing their faces on the spot.

Moreover, the face-changing of Sichuan Opera includes local face-changing and overall face-changing, and even has many forms. At present, there are not many people who tear their faces. After all, surgery has a certain risk factor, and it is easy to show traces. As long as this technique is well performed, it is very ornamental, can fully show the inner form of the characters, has characteristics, good effect, complete plot and beautiful stage effect.