Ancient poetry is like a mirror, from which we can not only see the changes of history, the frivolous life and the spread of art, but also feel the tolerance and infiltration of art. Poetry is not only a unique literary style, but also a comprehensive artistic situation, which includes literature, history, philosophy, religion and so on. As far as art is concerned, poetry and music are inseparable. Poetry is the art of cultural education, but poetry and painting have become the twin sisters in the artistic retrogression, and poetry and painting have become the unique realm pursued by China's art; "There is a picture in the poem and a poem in the painting" has become a feature of China's art. To study China's paintings, we must approach the ancient poems. If we don't finish reading them, we just don't understand Chinese painting and the anticorrosion of steel chimneys. If you don't understand the charm, artistic conception and emotional appeal in poetry, you can't understand the true meaning of charm, vividness and vividness in painting.
What is poetry? Poetry is a painting in the poet's mind.
What is painting? Painting is a poem in a painter's heart.
Walking in the snow to see plum blossoms [1]?
The vast snowfield, the rustling wind, the installation of the chimney lightning rod, an old man walking on crutches, leaving a string of deep footprints behind him, the inner wall of the chimney anticorrosion desulfurization. What is he doing? He is in Xun Mei, looking for the beauty that turns into a dragon with twists and turns, the beauty that kills two immortals with one stone, and the beauty that blooms only three or two flowers, but never reveals the true meaning of the world. Walking in the snow is a kind of spirit, Xun Mei is a kind of realm, and enjoying plum blossoms is a kind of enjoyment of life. Life is like this, and so is painting art. It is through the spirit of walking in the snow that painting enters the realm of enjoying plum blossoms. This realm is neither a super-profit realm to meet the needs of physiological materials nor an academic realm to study physics and pursue wisdom. Returning to nature, blending with nature, taking the details of cosmic life as the object, enjoying the color, order, rhythm and harmony of nature, thus getting a glimpse of the deepest soul of self, is an artistic realm.
Draw a crane to gossip.
It is a wonderful thing to lure cranes for a leisurely walk, which is rare in the world, so it often comes out of the initial dream. Because in dreams, people are no different from immortals, and they are free and do whatever they want. Secondly, it often appears on the screen, because painting is an extension of dreams, and people's beautiful wishes can be "realized" through brushes. More subtly, everything in the world is spiritual once touched by a brush. What is expressed in the image is a complex, but behind the complex, what is expressed is an idea and a life position. There is a painting of Luo Pin in Qing Dynasty, which is my hobby and has been changed many times in the past. The cultural connotation and greasy and distant atmosphere inside are really intoxicating. In the picture, a monk walks leisurely in the bamboo forest with a crane, and writes a poem: "There is a breeze inside the bamboo, and there is dust outside the bamboo. The wind keeps blowing, and it is not very clean here. Only Gao Ni can attract cranes. " Poetry and painting blend together and set each other off into interest. Through the picture, we can feel the painter's praise for the virtue of cool breeze, and through the poem, we can understand the painter's call for perfecting personality and the definition of beauty, good and evil.
The combination of poetry and painting is not an easy task. It is not an illustration with painting as a poem, let alone an explanation with painting as a poem. It is the artistic consequence of the fusion of poetry and painting, which is beyond the reach of miscellaneous poems or pure paintings. It is an extension of poetry and an extension of painting. This is precisely the magic of Chinese civilization and the charm of the combination of poetry and painting.
Fairy-seeking speech
Life has a lot of troubles and a lot of helplessness. Because of this, people invented a problem-solving, omnipotent and immortal idol in their hearts. This is a fairy. Seeking immortality is people's yearning for a better future, an energy source for self-development and a way of thinking to eliminate troubles. Liu An, the king of Huainan, sought longevity but found tofu. Although Tao Yuanming didn't say he wanted to become an immortal in the Jin Dynasty, he lived like a fairy, and even his poems were like spring, which made him famous in history. People known as the "Seven Sages of Bamboo Forest" gathered in the bamboo forest. They are friends, lovers, endowed with words, detached from things, and regarded as immortals by future generations. In my mind, the immortal is a wise man who loves nature and is detached from things. They wandered in nature and gained the charm of nature. Live a simple and comfortable life and enjoy the unique beauty of nature. This is not to promote a negative outlook on life, but to explore a natural mentality that everyone should have. The pursuit of this mentality is harmful to people to re-examine themselves, re-examine the earth and rebuild a peaceful mentality. I think seeking immortality is actually seeking the heart, peace of mind and harmony, and everyone can feather. So I said in the inscription of a painting: "Immortals are not mortal and can do things that ordinary people can't do. Since ancient times, it has been respected, admired and sought after by people. But if more people ask for it, the winner will be miserable and the cement chimney will be demolished. Why? Where the gas is heavy. For the immortal, first seek the heart, the heart belongs to purity, and the heart belongs to argument. Take the spirit of the immortal, except the disturbance of the mortal heart, but the immortal does not seek complacency. "
Watching willows in spring
Spring is the beginning of the four seasons. Willow, the show of all things. Spring outing to the willow is a beautiful thing on earth and a pleasure for modern literati. They walked together in groups of three and five, inhaling fresh air and bathing in the spring sunshine. Full of new green, trembling, modest and affectionate, full of Ying Ying, poetry comes from this, and painting comes from this. They are the solidification of feelings and the materialization of the soul. It is in this environment that the Tang Dynasty poet He Yinyong wrote a poem about willow: "Jasper is dressed as a tree, and thousands of strands of green silk hang down. I don't know who cut the thin leaves, and the east wind in mid-spring is like a shear. " Qi Baishi used spring to chant willow, and Liu Yinchun. "Jasper makeup" is the willow tree in spring and the embodiment of beauty. What about this "ten thousand hanging" and "green silk" 、; How did it come from? It was cut from Miss Chun's slender hand. I think why Zhang Zhi's poems are not meditation, but the fusion of scenes, which instantly has the meaning of spring beauty, willow beauty, human love and painting. So, there is nothing to be ashamed of. Works of art are the artist's direct perception of life, the product of intertwined feelings and scenes, and the result of long-term knowledge accumulation and self-restraint. Ignorant people will never feel the beauty of nature, let alone turn it into the beauty of art. In their eyes, willow is willow.
cool breeze and bright moon
The cool breeze and bright moon are beautiful and rare natural weather, and also a rare life realm of "quiet and returning to nature". Just as "The Biography of Nan Shi A Xie Filter": "If you don't make false friends, there will be no pure guests in the door. Sometimes I get drunk and say,' There is a cool breeze coming into my room, and only the bright moon gives me a drink.' "Indeed, it is not easy to bear loneliness, and it is even more embarrassing to feel full in loneliness. This is a fairyland. In ancient times, there was a couplet that said, "All one's life is cool and the moon is bright, and calligraphy is famous on four walls", which shows an ethereal realm of life and a virtual life. This is a Zen state of "emptiness is emptiness". The breeze and bright moon is also an artistic realm, and the occurrence of this realm lies in the state that everything is empty and the mind is free. Lang Lang is like a bright moon, everything is empty, like a breeze and ethereal, so that the information of life can be communicated between things and souls. At this time, everything is beautiful. " On the moon, Whitestorm is priceless, and the distant mountains are close to the water. "The artist's quietness to energy is the most basic prerequisite to achieve this goal. Ouyang Jian put it well: "It is difficult to describe the meaning of depression, and it is also difficult to describe its meaning. If you draw a wild picture, you may not know it. Therefore, superficial things are easy to see, and leisurely and quiet things are difficult to shape. "Melancholy, leisure and severity are the psychological images of artistic personality. With this mouth and climate, the bright moon became a pot of wine, and the breeze became thousands of books. In art, it can present the charm of "the wind is full of bamboo with musical rhyme, and the moon shadow writes plum without ink".
Three Friends in Winter ―― Pine Trees
The ancients called pine, bamboo and plum "the three enemies of old age and cold" because they have a kind of * * * nature, that is, they are not afraid of cold, do not break branches because of cold, do not disperse because of cold, and do not defect because of cold. The "cold wind" made them degenerate, and the "cold wind" made them real friends. China often takes this as the theme in his paintings to celebrate eternal friendship. What is friendship? It is the friendship between people in a specific social environment in life. This friendship is harmonious, harmonious and natural. You have me, you have you, and you sit alone. Friendship in a narrow sense does not exist in history and reality, but true friendship is one in a hundred, so people have been looking for and cherishing it all their lives. In history, "people walk in the cold tea" and "the tree falls apart" all show the cowardice of friendship. Some scholars divide "friendship" into three categories according to the principle of social class. One is the bound friendship of the strong; The second is the friendship diluted by elegant people; Three kinds of paste friendship of vulgar people. The first is achieved by bonding and helping factions. Once this friendship is tied up, it will deteriorate immediately, because all the combinations that devour individual freedom will inevitably lead to a wide range of harmony. The second kind often treats friendship as "the friendship between people is as light as water". This friendship is noble, but it is helpless. It is no different from knowing each other before making a decision. The fundamental reason is distrust of friendship. The third way is to greatly reduce the scale of making friends, expand the scope of making friends, and achieve harmonious and extensive development. The result of this method seems to be that there are enemies everywhere, but there are no enemies everywhere. Friendship here is ambiguous and secular.
True friendship is a combination of nature, which is obtained in a state of nothing. Historically, there has been heroic friendship between friends; There is also "Pingshui" to understand the ordinary friendship between music and poetry; There is also a poet's description: in summer, two trees talked noisily for a long time and saw each other's yellow leaves falling in the autumn wind. They were silent for a while and said goodbye to each other. "See you next summer!" Comfortable friendship. These friendships are simple and deep, and the gains and losses are all in nature. Pine, bamboo and plum are friends in people's eyes, because they are in a natural state, and the same personality ties them together, but friendship has not replaced their independence. Eternal friendship is like this: combination and independence blend with each other.
Dream of origin
Dreams are often regarded as fictional things in people's minds, but they actually exist objectively because everyone has dreams. Dreams are regarded as a mysterious physiological state, because people are free to an uncontrollable degree in dreams. Ordinary people divide dreams into two categories: one is a beautiful dream, which is the development and expansion of people's beautiful desires; The second kind is nightmare, which is the expansion and extension of human suffering. Dreams are readable, so dreams are written into books, full of colorful colors; Dreams are prophetic, so many people interpret them. Although all good luck and bad luck can't be completely explained by dreams, fair speculation is not too superstitious. Dreams are limited, so most people can't dream without their own environment, place and experience; Dreams are free, high and low for thousands of years, and Wan Li is vertical and horizontal, and time and space are looming in dreams; Dreams are also fixed, not only because the ancients dreamed, but because dreams linked the past with reality and the reality with the future, forming a complete communication space and reinforcing the cracks in the floor. Because of this, dreams are extended, borrowed and transformed into a cultural state-China traditional culture.
We can feel the characteristics of dreams by studying China culture. Since Zhuangzi dreamed of butterflies, people's view of things is no longer a one-way way of activity, but a way of interacting with things and dreaming of others. "Zhuangzi's Theory of Everything" states his dream: "Yesterday's dream of Zhou Zhuang was a butterfly, lifelike, and meant to express his ambition? I don't know, Zhou Ye. If I suddenly feel it, I will suddenly see the week. I don't know if a week's dream is a butterfly or not. " There must be differences between Zhou and Butterfly. This is called materialization. "Its center is: people are butterflies, and butterflies are also people. This is materialization. It is on this basis that "man and materialization" in art is profound, which makes art transform from "real realm" to "virtual realm" and then step into the "spiritual realm" of "virtual reality and reality", laying the foundation. People and materialization are the premise of artistic creation, the exchange and interaction between people and things, and the transmission and exchange of emotions. Therefore, an artistic expression technique with the characteristics of official clan emerged, that is, expressing ambition with objects and expressing expression with objects.
Zhuangzi had a dream that was true, and what later generations most associate with is the explanation of life, such as "floating like a dream", "dreaming like a dream" and "dreaming of a butterfly at the age of 100". I think painting is also a "dream", an eye-opening dream. If we can't understand this, we still think that Zhang Qi's eyes are real and closed, so it is difficult for art to enter the spiritual field. Zhuangzi or Zhuangzi, butterfly or butterfly.
Listen to the wind and see the clouds.
"The benevolent Leshan, the wise happy water." Who listens to the wind and sees the clouds? I feel very elegant. Elegant, simple and natural. China culture takes nature as beauty, and at the same time understands itself and expresses itself. This is an ancient world outlook with national characteristics, and it is an artistic interest of man and materialization and returning to nature. Therefore, the creation of China's artistic conception is mostly based on objective scenery as a symbol of subjective feelings. Such as Li Bai's poem "Guan Shanyue"; The bright moon rises from the mountains in the sky, and in the infinite haze of the sea of clouds, the wind blows from thousands of miles away and beats the battlements of Yumenguan. "Express boundless mood with bright moon, sea of clouds and long wind." In people's minds, emotions fluctuate, waves change and manners are myriad. It is not a fixed object contour, but can be expressed as mass. Only the fresh mountains, rivers, vegetation and mist in nature can express endless inspiration in people's hearts (Zong Baihua). "This is the true connotation of traditional culture and why traditional literati like mountains and rivers, attach importance to nature, and clean wind power towers.
At present, some paintings do not take care of nature in form: most people who enter the mountains remember the quality of the mountains for their appearance; People who draw water get the stillness of water and give up the movement of water; Those who listen to the wind only hear the sound of the wind and lose their charm; The cloud watcher gets the cloud shape and loses the cloud god. The relationship between man and nature has become ruthless, and painting has become a description of natural features. True art lies not only in the expression of subjective images, but also in the expression of subjective feelings, expressing people's understanding of nature and the sublimation of art to nature. The quality of a work of art depends on the depth of people's perception of nature. This kind of understanding can only be achieved by Tong Gong himself, and others can't take it away. An ancient poem says, "What's in the mountains? There are many white clouds on the mountain. " I can only accept pleasure, but I can't bear to give it to my minister. "
Snow-covered rocks
"Warm snow embraces secluded rocks, a group of bamboo covers green soil, and cement chimneys are demolished." There is no place in the world. In one place, "people move when quiet": snow covers everything, everything in the world is dotted with emptiness, everything is wrapped in silver, and the lining of the chimney is repaired and replaced, bright and clean, and it is in its place. The second kind of this situation; "Quiet outside, moving inside": "Soap snow embraces secluded stones", the backbone of Shi Xue, the message of returning to life in name only. In the silence, environmental protection signs are painted on the chimney, revealing the brilliance of the soul. The nature of this situation: first, it is an empty beauty that makes a big fuss about truth rather than nothingness; The second is my understanding of nature, turning the scenery into emotion, and creating a distant artistic conception with infinite symbols.
Reading ancient poems makes people wander in the distance, but exploring ancient meanings makes people relaxed and happy. Somehow, I became a detached old man, lying in a thatched pavilion, carefree, with nothing in the air and no feeling at all. Looking at everything, everything was like looking in the mirror. Snow embraces secluded stones, which is snow, while secluded stones hide snow, and snow is stone. Everything is immersed in life, life is transformed into everything, people and things, things and people are clearly integrated. This is a painting, a painting called "Snow Holding Still Stones".
If you don't look carefully, it's not in the word-for-word recitation. I feel infected by the volume and gentle temperament of the article. Just read it again if you have nothing to do. Evil articles are always read carefully. ...
Browse an article about real estate labor, and the second down payment must be higher than 60%. There are many arguments in the article, but I have answers in my heart. People who buy a house may buy it in one breath without having to borrow money from a bank. So is this delineation effective enough? The sweet ones are the middle class who want to hit it off!
Zheng He Han Han's blog, 20 10, thanks to him for inventing them, and more or less inherited a lot of his thoughts!
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